![Anastasia Injushina - Mozart: Piano Works - Neglected Treasures (2014/2016) [FLAC, 24bit, 192 kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/06/14/Vb7JNSK.jpg?ssl=1)
Artist: Anastasia Injushina
Album: Mozart: Piano Works – Neglected Treasures
Genre: Classical
Release Date: 2014/2016
Audio Format: FLAC (tracks) 24bit, 192 kHz
Duration: 01:08:43
Total Tracks: 10
Total Size: 1,94 GB
Tracklist:
2. Anastasia Injushina – Suite in C Major, K. 399: II. Allemande (04:34)
3. Anastasia Injushina – Suite in C Major, K. 399: III. Courante (03:02)
4. Anastasia Injushina – Allegro in G Minor, K. 312 (04:20)
5. Anastasia Injushina – Prelude and Fugue in C Major, K. 394: Prelude (05:09)
6. Anastasia Injushina – Prelude and Fugue in C Major, K. 394: Fugue (05:15)
7. Anastasia Injushina – Andante in F Major, K. 616 (07:24)
8. Anastasia Injushina – Allegro in B-Flat Major, K. 400 (08:40)
9. Anastasia Injushina – 10 Variations on “Unser dummer Pöbel meint”, K. 455 (Live): 10 Variations in G Major on Gluck’s Unser dummer Pobel meint, K. 455 (13:15)
10. Anastasia Injushina – 12 Variationen über “Ah! vous dirai-je, Maman” C-Dur K. 265: 12 Variations in C Major on Ah vous dirai-je, maman, K. 265 (12:36)
Download Links:
https://xubster.com/74kwn8c0b9f7/AnastasiaInjushinaM0zartPian0W0rksNeglectedTreasures2014201624192.part2.rar.html
https://xubster.com/2khlxkkgl35q/AnastasiaInjushinaM0zartPian0W0rksNeglectedTreasures2014201624192.part3.rar.html
The Suite in C was influenced by Handel’s piano suites. Prelude and Fugue is a great example of Mozart’s interest in the art of the Fugue and the music of Bach. The Sonata movement KV 312 and Andante in F major for Small Mechanical Organ are among Mozart’s last completed pieces. Twelve Variations in C major on ‘Ah vous dirai-je, Maman’ is a delightful piece based on the famous children’s song Twinkle, twinkle, little star.
‘Uninhibitedly exploiting the resources of the modern Steinway (no pussyfooting), Anastasia Injushina is an imaginative, often compelling Mozartian. The variation sets that grew out of Mozart’s own improvisations come off especially well, with Injushina relishing both their extrovert brilliance and their textural subtleties … truthfully recorded …’ (Gramophone)