![Amandine Savary - Schubert: Impromptus, D. 899 & D. 935 (2017) [FLAC, 24bit, 96 kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/06/13/heoy99thh27lb_600.jpg?ssl=1)
Artist: Amandine Savary
Album: Schubert: Impromptus, D. 899 & D. 935
Genre: Classical
Release Date: 2017
Audio Format: FLAC (tracks) 24bit, 96 kHz
Duration: 01:03:37
Total Tracks: 8
Total Size: 944 MB
Tracklist:
1-01. Amandine Savary – 4 Impromptus, D. 899, Op. 90: No. 1 in C Minor. Allegro molto moderato (09:23)
1-02. Amandine Savary – 4 Impromptus, D. 899, Op. 90: No. 2 in E-Flat Major. Allegro (04:42)
1-03. Amandine Savary – 4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major. Andante (06:04)
1-04. Amandine Savary – 4 Impromptus, D. 899, Op. 90: No. 4 in A-Flat Major. Allegretto (07:15)
1-05. Amandine Savary – 4 Impromptus D. 935, Op. 142: No. 1 in F Minor. Allegro moderato (11:06)
1-06. Amandine Savary – 4 Impromptus D. 935, Op. 142: No. 2 in A-Flat Major. Allegretto (07:13)
1-07. Amandine Savary – 4 Impromptus D. 935, Op. 142: No. 3 in B-Flat Major. Theme-Andante (with Variations) (11:11)
1-08. Amandine Savary – 4 Impromptus D. 935, Op. 142: No. 4 in F Minor. Allegro scherzando (06:40)
1-02. Amandine Savary – 4 Impromptus, D. 899, Op. 90: No. 2 in E-Flat Major. Allegro (04:42)
1-03. Amandine Savary – 4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major. Andante (06:04)
1-04. Amandine Savary – 4 Impromptus, D. 899, Op. 90: No. 4 in A-Flat Major. Allegretto (07:15)
1-05. Amandine Savary – 4 Impromptus D. 935, Op. 142: No. 1 in F Minor. Allegro moderato (11:06)
1-06. Amandine Savary – 4 Impromptus D. 935, Op. 142: No. 2 in A-Flat Major. Allegretto (07:13)
1-07. Amandine Savary – 4 Impromptus D. 935, Op. 142: No. 3 in B-Flat Major. Theme-Andante (with Variations) (11:11)
1-08. Amandine Savary – 4 Impromptus D. 935, Op. 142: No. 4 in F Minor. Allegro scherzando (06:40)
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After Bach’s Toccatas, the French pianist Amandine Savary offers a fascinating interpretation of Schubert’s two cycles of Impromptus, superb, stylistically free works that are finely contrasted as regards structure, tempo, duration and character. The musical sweep Schubert gives these pieces – associating his name for posterity to that of this new form – enables her to go beyond virtuosity to breathe into them intense, sustained passion with at times unleashed violence.