Alice Foccroulle, Béatrice Mayo-Felip, Reinoud Van Mechelen, InAlto, Lambert Colson – Schein: Ich will schweigen (2015) [FLAC, 24bit, 88,2 kHz]

Alice Foccroulle, Béatrice Mayo-Felip, Reinoud Van Mechelen, InAlto, Lambert Colson - Schein: Ich will schweigen (2015) [FLAC, 24bit, 88,2 kHz] Download

Artist: Alice Foccroulle, Béatrice Mayo-Felip, Reinoud Van Mechelen, InAlto, Lambert Colson
Album: Schein: Ich will schweigen
Genre: Classical
Release Date: 2015
Audio Format: FLAC (tracks) 24bit, 88,2 kHz
Duration: 01:02:39
Total Tracks: 15
Total Size: 1014 MB

Tracklist:

01. InAlto, Lambert Colson – Canzon corollarium à 5 in A Minor (04:19)
02. Alice Foccroulle, Béatrice Mayo-Felip, Reinoud Van Mechelen, InAlto, Lambert Colson – Ich will schweigen (05:53)
03. Marc Meisel – Fantasia in D Minor (01:50)
04. Alice Foccroulle, Reinoud Van Mechelen, InAlto, Lambert Colson – Exaudiat te Dominus (08:16)
05. InAlto, Lambert Colson – Suite VII (07:48)
06. Marc Meisel – Fugue on Erbarm dich mein, o Herre Gott (03:05)
07. Alice Foccroulle, Béatrice Mayo-Felip, InAlto, Lambert Colson – Erbarm dich mein, o Herre Gott (03:25)
08. InAlto, Lambert Colson – Fuga XII à 4 (03:13)
09. Alice Foccroulle, Béatrice Mayo-Felip, InAlto, Lambert Colson – Herr Christ, der einig Gottes Sohn (01:58)
10. InAlto, Lambert Colson – Nun komm, der Heiden Heiland (02:15)
11. InAlto, Lambert Colson – Sonatina à 4 (03:21)
12. Alice Foccroulle, Reinoud Van Mechelen, InAlto, Lambert Colson – Mach dich auf, werde Licht (06:32)
13. InAlto, Lambert Colson – Paduana à 4 in D Minor (02:09)
14. Marc Meisel – Fantasy on “In dich hab ich gehoffet, Herr” (05:42)
15. InAlto, Lambert Colson – Fuga sopra Durch Adams Fall ist ganz verderbt, BWV 705 (02:47)

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When Johann Hermann Schein became Kantor at the church of Saint Thomas in Leipzig in 1616, he had, on the one hand, to satisfy the liturgical demands of his Lutheran parish and, on the other, compose music that was truly contemporary, sensible to the new style coming out of Italy. Schein exploited the new possibilities brought by the basso continuo, demonstrated his mastery of musical rhetoric and wrote extremely ambitious music of great expressive force. The instrumentation calls for instruments such as the cornet, trombone and dulcian, Schein drawing his musicians from the forces of the Stadtpfeiffer and Ratsmusiker, guilds of instrumentalists attached to the City of Leipzig since the 15th century. For this musical portrait of Schein, one of the greatest German composers of the 17th century and one of J. S. Bach’s most talented predecessors, InAlto presents an itinerary to the sources of the German cantata and testimony to the extraordinary tradition of city musicians perpetuated over the centuries. In addition to Schein’s music, this heritage is represented here by Johann Schelle, Gottfried Reiche and J. S. Bach.

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