Artist: Akademie für Alte Musik Berlin, Bernarda Fink, Anna Prohaska
Album: Pergolesi: Stabat Mater
Genre: Classical
Release Date: 2020
Audio Format: FLAC (tracks) 24bit, 44,1 kHz
Duration: 35:17
Total Tracks: 12
Total Size: 335 MB
Tracklist:
2. Akademie für Alte Musik Berlin, Bernarda Fink & Anna Prohaska – Stabat Mater, P. 77: II. Aria “Cujus animam gementem” (soprano) (01:59)
3. Akademie für Alte Musik Berlin, Bernarda Fink & Anna Prohaska – Stabat Mater, P. 77: III. Duo “O quam tristis et afflicta” (01:59)
4. Akademie für Alte Musik Berlin, Bernarda Fink & Anna Prohaska – Stabat Mater, P. 77: IV. Aria “Quae moerebat et dolebat” (alto) (02:04)
5. Akademie für Alte Musik Berlin, Bernarda Fink & Anna Prohaska – Stabat Mater, P. 77: V. Duo “Quis est homo qui non fleret” (02:42)
6. Akademie für Alte Musik Berlin, Bernarda Fink & Anna Prohaska – Stabat Mater, P. 77: VI. Aria “Vidit suum dulcem natum” (03:22)
7. Akademie für Alte Musik Berlin, Bernarda Fink & Anna Prohaska – Stabat Mater, P. 77: VII. Aria “Eja, mater, fons amoris” (alto) (02:08)
8. Akademie für Alte Musik Berlin, Bernarda Fink & Anna Prohaska – Stabat Mater, P. 77: VIII. Duo “Fac, ut ardeat cor meum” (02:11)
9. Akademie für Alte Musik Berlin, Bernarda Fink & Anna Prohaska – Stabat Mater, P. 77: IX. Duo “Sancta mater, istud agas” (04:49)
10. Akademie für Alte Musik Berlin, Bernarda Fink & Anna Prohaska – Stabat Mater, P. 77: X. Aria “Fac, ut portem Christi mortem” (alto) (03:40)
11. Akademie für Alte Musik Berlin, Bernarda Fink & Anna Prohaska – Stabat Mater, P. 77: XI. Duo “Inflammatus et accensus” (01:52)
12. Akademie für Alte Musik Berlin, Bernarda Fink & Anna Prohaska – Stabat Mater, P. 77: XII. Duo “Quando corpus morietur” – “Amen” (04:37)
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“While Pergolesi s Stabat mater is the main item, its sorrowful mood is anticipated in Vivaldi s instrumental sinfonia Al Santo Sepolcro and Locatelli s concerto Il pianto d Arianna, as well as in Pergolesi s own Salve regina. The Akademie establishes the poignancy of atmosphere at the start, and all the performances are stylish and emotionally in keeping.” (Geoffrey Norris)
“Bernhard Forck and the orchestra balance the various emotions with skill…[the Salve Regina] is an attractive piece of no great profundity.” (Gramophone Magazine)
“This latest recording is notable for Bernarda Fink’s rich, velvety singing of the alto solos, although “historically aware” fanatics may now find her plush timbre a shade too fruity for a sacred work…This is an attractive programme and Fink fans won’t be disappointed.” (Sunday Times)
“Anna Prohaska’s bright-to-the-point-of-glaring soprano contrasts well with Bernarda Fink’s dark alto in the solos…[Forck] does remind you how forceful its confrontation with mortality is, and how much is gained when sentiment is stripped away.” (The Guardian)