Artist: Ensemble Diderot, Johannes Pramsohler
Album: Sonatas for three violins
Genre: Classical
Release Date: 2021
Audio Format:: FLAC (tracks) 24 bit, 48 kHz
Duration: 01:19:41
Total Tracks: 19
Total Size: 915 MB

Tracklist:

01. Ensemble Diderot & Johannes Pramsohler – Der 8. Psalm (04:20)
02. Ensemble Diderot & Johannes Pramsohler – Sonata 16 (05:01)
03. Ensemble Diderot & Johannes Pramsohler – Sonata seconda (06:22)
04. Ensemble Diderot & Johannes Pramsohler – Canon and Gigue in D Major: I. Canon (02:53)
05. Ensemble Diderot & Johannes Pramsohler – Canon and Gigue in D Major: II. Gigue (01:31)
06. Ensemble Diderot & Johannes Pramsohler – Sonata a 3 violini (05:32)
07. Ensemble Diderot & Johannes Pramsohler – Sonata a 3 violini senza basso: I. Grave (01:43)
08. Ensemble Diderot & Johannes Pramsohler – Sonata a 3 violini senza basso: II. Allegro (02:05)
09. Ensemble Diderot & Johannes Pramsohler – Sonata a 3 violini senza basso: III. Adagio-Allegro-Adagio-Allegro- Adagio (07:31)
10. Ensemble Diderot & Johannes Pramsohler – Sonate en quatuor: I. (01:42)
11. Ensemble Diderot & Johannes Pramsohler – Sonate en quatuor: II. (02:19)
12. Ensemble Diderot & Johannes Pramsohler – Sonate en quatuor: III. (01:38)
13. Ensemble Diderot & Johannes Pramsohler – Sonate en quatuor: IV. (02:03)
14. Ensemble Diderot & Johannes Pramsohler – Sonata XXI con 3 violini (04:57)
15. Ensemble Diderot & Johannes Pramsohler – Three parts upon a ground (04:44)
16. Ensemble Diderot & Johannes Pramsohler – Pavane (05:00)
17. Ensemble Diderot & Johannes Pramsohler – Sonata a 3 violini (07:41)
18. Ensemble Diderot & Johannes Pramsohler – Pavane (05:26)
19. Ensemble Diderot & Johannes Pramsohler – Sonata decima (07:04)

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The music recorded here encompasses a period of around a hundred years. The earliest works come from the time around 1600, which is considered one of the most profound watersheds in musical history. The new expressiveness unleashed above all by Monteverdi’s music was at the same time also potent in the increasingly independent instrumental music. This development is directly connected with the emancipation of the violin and its marvelous cantabile and virtuoso possibilities. When the composers started to make the individual sections of the ricercar into independent contrasting movements, and accordingly separated them from each other also in terms of tempo, the transition to a cyclical manner of formation, that is to say, to a stringing together of independent movements, was initiated and a meaningful musical organization adopted as a maxim.