Artist: Johannes Pramsohler, Nahuel Di Pierro
Album: German Cantatas with Solo Violin (Bonus Track Version)
Genre: Classical
Release Date: 2018
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:24:06
Total Tracks: 9
Total Size: 1,58 GB

Tracklist:

01. Johannes Pramsohler, Nahuel Di Pierro, Ensemble Diderot, Andrea Hill, Jorge Navarro Colorado – Nisi Dominus (10:24)
02. Johannes Pramsohler, Nahuel Di Pierro, Ensemble Diderot, Andrea Hill, Jorge Navarro Colorado – Wie bist du denn, o Gott, in Zorn auf mich entbrannt (12:01)
03. Johannes Pramsohler, Nahuel Di Pierro, Ensemble Diderot, Andrea Hill, Jorge Navarro Colorado – Christ ist erstanden (08:05)
04. Johannes Pramsohler, Nahuel Di Pierro, Ensemble Diderot, Andrea Hill, Jorge Navarro Colorado – Mein Hertz ist bereit (09:17)
05. Johannes Pramsohler, Nahuel Di Pierro, Ensemble Diderot, Andrea Hill, Jorge Navarro Colorado – Ich will in aller Not (08:00)
06. Johannes Pramsohler, Nahuel Di Pierro, Ensemble Diderot, Andrea Hill, Jorge Navarro Colorado – Mein Fleisch ist die rechte Speise (06:28)
07. Johannes Pramsohler, Nahuel Di Pierro, Ensemble Diderot, Andrea Hill, Jorge Navarro Colorado – Ach Herr, wie ist meiner Feinde so viel (11:39)
08. Johannes Pramsohler, Nahuel Di Pierro, Ensemble Diderot, Andrea Hill, Jorge Navarro Colorado – Ach dass ich Wassers gnug hätte (07:45)
09. Johannes Pramsohler, Nahuel Di Pierro, Ensemble Diderot, Andrea Hill, Jorge Navarro Colorado – Laetatus sum (10:23)

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Continuing their research into the vast hinterland of German cantatas from the early baroque period, Johannes Pramsohler and the musicians of his excellent Diderot Ensemble here dive into the austere and strange music of Biber, but also the less-well-known works of Johann Christoph Bach, great uncle of Johann Sebastian and musicians like Pachelbel, Bruhns and Eberlin. Johannes Pramsohler brings a particular fire and mystical sensuality to this new album (heavenly and earthly delights never being so far apart), and intense celestial flights to his violin playing. A range of international singers have left behind opera and dived with staggering ease into a completely different repertoire. The architects of this success, the supply and airy voice of the Canadian mezzo Andrea Hill, the perfectly gloomy timbre of Spanish tenor Jorge Navarro Colorado and the dark colours of the Argentine bass Nahuel di Pierro, sound the depths of this music driven by a great piety.  –  François Hudry