Artist: Billy Joel
Album: 52nd Street
Genre: Pop
Release Date: 1978/2014
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 40:42
Total Tracks: 9
Total Size: 874 MB

Tracklist:

01. Billy Joel – Big Shot (Album Version) (04:03)
02. Billy Joel – Honesty (Album Version) (03:54)
03. Billy Joel – My Life (Album Version) (04:45)
04. Billy Joel – Zanzibar (Album Version) (05:16)
05. Billy Joel – Stiletto (Album Version) (04:42)
06. Billy Joel – Rosalinda’s Eyes (Album Version) (04:42)
07. Billy Joel – Half a Mile Away (Album Version) (04:09)
08. Billy Joel – Until the Night (06:36)
09. Billy Joel – 52nd Street (Album Version) (02:31)

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52nd Street was released on October 13, 1978 and is Billy Joel’s sixth studio album. It was recorded at A&R Recording, Inc. during July and August 1978, and was produced by Phil Ramone. Three songs on the album reached the Top 40 in the US. They were: “My Life” (#3), “Big Shot” (#14), and “Honesty” (#24). 52nd Street won the Album of the Year Grammy Award in 1979. The album peaked at #1 on the US Billboard 200 chart in 1979 and has been certified 7x Platinum by the RIAA.Once The Stranger became a hit, Billy Joel quickly re-entered the studio with producer Phil Ramone to record the follow-up, 52nd Street. Instead of breaking from the sound of The Stranger, Joel chose to expand it, making it more sophisticated and somewhat jazzy. Often, his moves sounded as if they were responses to Steely Dan — indeed, his phrasing and melody for “Zanzibar” is a direct homage to Donald Fagen circa The Royal Scam, and it also boasts a solo from jazz great Freddie Hubbard à la Steely Dan — but since Joel is a working-class populist, not an elitist college boy, he never shies away from big gestures and melodies. Consequently, 52nd Street unintentionally embellishes the Broadway overtones of its predecessor, not only on a centerpiece like “Stiletto,” but when he’s rocking out on “Big Shot.” That isn’t necessarily bad, since Joel’s strong suit turns out to be showmanship — he dazzles with his melodic skills and his enthusiastic performances. He also knows how to make a record. Song for song, 52nd Street might not be as strong as The Stranger, but there are no weak songs — indeed, “Honesty,” “My Life,” “Until the Night,” and the three mentioned above are among his best — and they all flow together smoothly, thanks to Ramone’s seamless production and Joel’s melodic craftsmanship. It’s remarkable to think that in a matter of three records, Joel had hit upon a workable, marketable formula — one that not only made him one of the biggest-selling artists of his era, but one of the most enjoyable mainstream hitmakers. 52nd Street is a testament to that achievement.