Artist: Billy Joel
Album: Piano Man
Genre: Pop, Rock
Release Date: 1973/2013
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 43:33
Total Tracks: 10
Total Size: 979 MB

Tracklist:

01. Billy Joel – Travelin’ Prayer (04:16)
02. Billy Joel – Piano Man (05:39)
03. Billy Joel – Ain’t No Crime (03:19)
04. Billy Joel – You’re My Home (03:13)
05. Billy Joel – The Ballad Of Billy The Kid (05:40)
06. Billy Joel – Worse Comes To Worst (03:15)
07. Billy Joel – Stop In Nevada (03:55)
08. Billy Joel – If I Only Had The Words (To Tell You) (03:34)
09. Billy Joel – Somewhere Along The Line (03:20)
10. Billy Joel – Captain Jack (07:17)

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Chart History/Awards
– “Piano Man” reached #4 on the Adult Contemporary singles charts.

Piano Man, Billy Joel’s debut on Columbia Records, is his sensational breakthrough masterpiece. An important album in his illustrious career, Piano Man saw Joel rise to singer-songwriter stardom. Reaching the Top Thirty on the Billboard charts, the work features signature Joel tunes including “Travelin’ Prayer,” “Worse Comes To Worst” and the title-track. “Piano Man” reached #4 on the Adult Contemporary singles chart and remains one of Joel’s biggest hits.Embittered by legal disputes with his label and an endless tour to support a debut that was dead in the water, Billy Joel hunkered down in his adopted hometown of Los Angeles, spending six months as a lounge singer at a club. He didn’t abandon his dreams — he continued to write songs, including “Piano Man,” a fictionalized account of his weeks as a lounge singer. Through a combination of touring and constant hustling, he landed a contract with Columbia and recorded his second album in 1973. Clearly inspired by Elton John’s Tumbleweed Connection, not only musically but lyrically, as well as James Taylor, Joel expands the vision and sound of Cold Spring Harbor, abandoning introspective numbers (apart from “You’re My Home,” a love letter to his wife) for character sketches and epics. Even the title track, a breakthrough hit based on his weeks as a saloon singer, focuses on the colorful patrons, not the singer. If his narratives are occasionally awkward or incomplete, he compensates with music that gives the songs a sweeping sense of purpose — they feel complete, thanks to his indelible melodies and savvy stylistic repurposing. He may have borrowed his basic blueprint from Tumbleweed Connection, particularly with its Western imagery and bluesy gospel flourishes, but he makes it his own, largely due to his melodic flair, which is in greater evidence than on Cold Spring Harbor. Piano Man is where he suggests his potential as a musical craftsman. He may have weaknesses as a lyricist — such mishaps as the “instant pleasuredome” line in “You’re My Home” illustrate that he doesn’t have an ear for words — but Piano Man makes it clear that his skills as a melodicist can dazzle.