Artist: Yellow Magic Orchestra
Album: Naughty Boys Instrumental (2019 Bob Ludwig Remastering)
Genre: Electronic
Release Date: 2019
Audio Format:: FLAC (tracks) 24bit, 96 kHz
Duration: 42:30
Total Tracks: 10
Total Size: 869 MB

Tracklist:

01. Yellow Magic Orchestra – Chaos Panic Instrumental (2019 Bob Ludwig Remastering) (04:12)
02. Yellow Magic Orchestra – Expected Way Instrumental (2019 Bob Ludwig Remastering) (04:36)
03. Yellow Magic Orchestra – Focus Instrumental (2019 Bob Ludwig Remastering) (03:44)
04. Yellow Magic Orchestra – Kai-Koh Instrumental (2019 Bob Ludwig Remastering) (04:27)
05. Yellow Magic Orchestra – Expecting Rivers Instrumental (2019 Bob Ludwig Remastering) (04:38)
06. Yellow Magic Orchestra – You’ve Got To Help Yourself Instrumental (2019 Bob Ludwig Remastering) (04:21)
07. Yellow Magic Orchestra – Lotus Love Instrumental (2019 Bob Ludwig Remastering) (04:06)
08. Yellow Magic Orchestra – Ongaku Instrumental (2019 Bob Ludwig Remastering) (03:25)
09. Yellow Magic Orchestra – Opened My Eyes Instrumental (2019 Bob Ludwig Remastering) (03:44)
10. Yellow Magic Orchestra – Wild Ambitions Instrumental (2019 Bob Ludwig Remastering) (05:12)

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This is YMO’s 6th album, released in May 1983 and undoubtedly one of the best synthesizer pop albums ever. ‘Naughty Boys’ has a different sound and leans more to the Japanese pop music scene than previous albums. Nevertheless, this is a solid dance album! ‘Kimi Ni Mune Kyun’ and ‘Lotus Love’ stand out as most famous and loved by fans. ‘Instrumentals’ was released in July 1983 and is the instrumental version of ‘Naughty Boys’ featuring additional synths, a completely different running order and include different versions and mixes.”Posturing themselves as the synth-pop stars they already were (though only strictly speaking), Naughty Boys is more of a landmark for Japanese pop than electronic music. Beginning with the synth-pop hit “Kimi Ni Mune Kyun” (featuring vocals just as accomplished as its production), the album clearly sounds different; previous YMO material had never sounded explicitly like Asian pop music before. That said, it’s still a solid album of commercial synth-pop and showed the group was still cultivating their Western connections, with help from guitarist Bill Nelson.” (John Bush, AMG)