Artist: Véronique Bonnecaze
Album: Debussy
Genre: Classical
Release Date: 2019
Audio Format:: FLAC (tracks) 24 bit, 88,2 kHz
Duration: 01:14:04
Total Tracks: 18
Total Size: 1,08 GB

Tracklist:

1-01. Véronique Bonnecaze – Suite bergamasque, L. 75 – III. Clair de lune (05:59)
1-02. Véronique Bonnecaze – L’Isle joyeuse, L. 106 (06:00)
1-03. Véronique Bonnecaze – Images, 2e serie, L. 111 – I. Cloches a travers les feuilles (04:37)
1-04. Véronique Bonnecaze – Images, 2e serie, L. 111 – II. Et la lune descend sur le temple qui fut (06:12)
1-05. Véronique Bonnecaze – Images, 2e serie, L. 111 – III. Poissons d’or (04:17)
1-06. Véronique Bonnecaze – Preludes, Livre I, L. 117 – I. Danseuses de Delphes (03:21)
1-07. Véronique Bonnecaze – Preludes, Livre I, L. 117 – II. Voiles (04:17)
1-08. Véronique Bonnecaze – Preludes, Livre I, L. 117 – III. Le Vent dans la plaine (02:11)
1-09. Véronique Bonnecaze – Preludes, Livre I, L. 117 – IV. Les sons et les parfums tournent dans l’air du soir (03:49)
1-10. Véronique Bonnecaze – Preludes, Livre I, L. 117 – V. Les Collines d’Anacapri (03:00)
1-11. Véronique Bonnecaze – Preludes, Livre I, L. 117 – VI. Des pas sur la neige (04:50)
1-12. Véronique Bonnecaze – Preludes, Livre I, L. 117 – VII. Ce qu’a vu le vent d’Ouest (03:34)
1-13. Véronique Bonnecaze – Preludes, Livre I, L. 117 – VIII. La Fille aux cheveux de lin (02:54)
1-14. Véronique Bonnecaze – Preludes, Livre I, L. 117 – IX. La Serenade interrompue (02:48)
1-15. Véronique Bonnecaze – Preludes, Livre I, L. 117 – X. La Cathedrale engloutie (06:45)
1-16. Véronique Bonnecaze – Preludes, Livre I, L. 117 – XI. La Danse de Puck (02:41)
1-17. Véronique Bonnecaze – Preludes, Livre I, L. 117 – XII. Minstrels (02:21)
1-18. Véronique Bonnecaze – La plus que lente, L. 121 (04:20)

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It is partly thanks to his acquaintances among writers and painters from the end of the XIXth century that Debussy’s idiom evolved. In a context of heated international politics, the return to French classicism allows some artists to reaffirm the values of the age of Louis XIV. Indeed, his so prodigiously creative music, which today is played with too much caution, makes no claim of being avant-garde. In the musician’s eyes, it simply expresses the pleasure to play and to discover new sounds.