Various Artists – Œuvres Orchestrales de Fanny Mendelssohn, Germaine Tailleferre, Édith Canat de Chizy, Anna Clyne, Bushra El-Turk, Augusta Holmès & Camille Pépin (2023) [FLAC 24 bit, 96 kHz]

Various Artists - Œuvres Orchestrales de Fanny Mendelssohn, Germaine Tailleferre, Édith Canat de Chizy, Anna Clyne, Bushra El-Turk, Augusta Holmès & Camille Pépin (2023) [FLAC 24 bit, 96 kHz] Download

Artist: Various Artists
Album: Œuvres Orchestrales de Fanny Mendelssohn, Germaine Tailleferre, Édith Canat de Chizy, Anna Clyne, Bushra El-Turk, Augusta Holmès & Camille Pépin
Genre: Classical
Release Date: 2023
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:09:14
Total Tracks: 13
Total Size: 1,15 GB

Tracklist:

01. Orchestre Pasdeloup – Intrada, la septième trompette (03:33)
02. Sora Elisabeth Lee – Ouverture en Do (09:24)
03. Sora Elisabeth Lee – Petite Suite pour orchestre: I. Prélude (02:29)
04. Sora Elisabeth Lee – Petite Suite pour orchestre: II. Sicilienne (03:05)
05. Sora Elisabeth Lee – Petite Suite pour orchestre: III. Les Filles de la Rochelle (01:28)
06. Kanako Abe – Restless Oceans (04:08)
07. Kanako Abe – Mosaic, pour orchestre de chambre (08:19)
08. Emilie Gastaud – Aether, concerto pour harpe, marimba et orchestre: I. Brumeux, mystérieux. (04:37)
09. Emilie Gastaud – Aether, concerto pour harpe, marimba et orchestre: II. Tournoyant, hypnotique. (03:54)
10. Emilie Gastaud – Aether, concerto pour harpe, marimba et orchestre: III. Flottant, éthéré. (02:42)
11. Emilie Gastaud – Aether, concerto pour harpe, marimba et orchestre: IV. Dansant, lumineux. (03:50)
12. Emilie Gastaud – Aether, concerto pour harpe, marimba et orchestre: V. Brumeux, flottant. (05:47)
13. Orchestre Pasdeloup – Andromède, poème symphonique (15:53)

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This second opus is dedicated to orchestral works, and is presented – to quote composer Bushra El-Turk – as a “mosaic” of rich and varied colors: it compiles works by three composers of the past and four of the present-day, performed and conducted by two soloists and four conductors – all of them women. An all-women record, then – there are already so many out there entirely made by men! – but primarily a record whose aim is to give these works and artists the opportunity to be known by the public at large, and heard and programmed in future seasons.

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