Artist: Trio Aeternus
Album: The Komitas Legacy: Armenian Piano Trios
Genre: Classical
Release Date: 2020
Audio Format:: FLAC (tracks) 24 bit, 48 kHz
Duration: 01:18:50
Total Tracks: 18
Total Size: 742 MB

Tracklist:

01. Trio Aeternus – Piano Trio in F-Sharp Minor: I. Largo (10:32)
02. Trio Aeternus – Piano Trio in F-Sharp Minor: II. Andante (07:11)
03. Trio Aeternus – Piano Trio in F-Sharp Minor: III. Allegro vivace (07:32)
04. Trio Aeternus – 6 Armenian Miniatures (After Komitas): No. 1, Dear Shogher (03:56)
05. Trio Aeternus – 6 Armenian Miniatures (After Komitas): No. 2, You Are as Slender as a Plane-Tree (03:28)
06. Trio Aeternus – 6 Armenian Miniatures (After Komitas): No. 3, Give Me a Cool Breeze (02:29)
07. Trio Aeternus – 6 Armenian Miniatures (After Komitas): No. 4, The Crane (04:17)
08. Trio Aeternus – 6 Armenian Miniatures (After Komitas): No. 5, Dear Lake, Answer Me (04:10)
09. Trio Aeternus – 6 Armenian Miniatures (After Komitas): No. 6, Let’s Walk (02:44)
10. Trio Aeternus – Aeternus: I. Andante maestoso (03:37)
11. Trio Aeternus – Aeternus: II. Allegro con brio (02:25)
12. Trio Aeternus – Aeternus: III. Andante spiritoso (04:33)
13. Trio Aeternus – Piano Trio “Homage to Komitas”: I. Broken Bells (02:53)
14. Trio Aeternus – Piano Trio “Homage to Komitas”: II. Broken Dance No. 1 (01:15)
15. Trio Aeternus – Piano Trio “Homage to Komitas”: III. Possession (00:58)
16. Trio Aeternus – Piano Trio “Homage to Komitas”: IV. Deus Internus (06:52)
17. Trio Aeternus – Piano Trio “Homage to Komitas”: V. Broken Dance No. 2 (02:42)
18. Trio Aeternus – Piano Trio “Homage to Komitas”: VI. Thirst (07:12)

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Soghomon Soghomonian (1869–1935) took the name Komitas (or Gomidas) when he was ordained a priest in 1894; a year later he became Komitas Vardapet (doctor of theology) – one of the two names by which he is known to history. The other is ‘father of Armenian music’, since he collected thousands of songs from his compatriots, his fieldwork preserving and identifying the accent which makes the works of Armenian composers readily identifiable – as these piano trios prove: one twentieth-century classic and three new works, one of which completes the circle by recasting six of Komitas’ own folksong arrangements.