Tom Winpenny – Gardner: Complete Organ Music, Vol. 1 (2024) [FLAC 24 bit, 96 kHz]

Tom Winpenny - Gardner: Complete Organ Music, Vol. 1 (2024) [FLAC 24 bit, 96 kHz] Download

Artist: Tom Winpenny
Album: Gardner: Complete Organ Music, Vol. 1
Genre: Classical
Release Date: 2024
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:10:18
Total Tracks: 17
Total Size: 1,13 GB

Tracklist:

1-1. Tom Winpenny – Intrada & Finale, Op. 241: I. Intrada (08:05)
1-2. Tom Winpenny – Intermezzo, Op. 13 (02:35)
1-3. Tom Winpenny – Organ Sonata, Op. 204: I. Allegro moderato (05:58)
1-4. Tom Winpenny – Organ Sonata, Op. 204: II. Adagio (04:59)
1-5. Tom Winpenny – Organ Sonata, Op. 204: III. Allegro molto (04:28)
1-6. Tom Winpenny – Hymn Tune: Bicclescombe (00:44)
1-7. Tom Winpenny – 2 Variants on “Bicclescombe”, Op. 134 (01:57)
1-8. Tom Winpenny – Prelude in G Minor, Op. 96 (02:13)
1-9. Tom Winpenny – Prelude in C Major, WAB 129 “Perger Präludium” (01:23)
1-10. Tom Winpenny – Fantasia & Fugue on a Prelude of Anton Bruckner, Op. 185 (13:36)
1-11. Tom Winpenny – 5 Hymn Tune Preludes, Op. 44: No. 1, Old Hundredth (02:10)
1-12. Tom Winpenny – 5 Hymn Tune Preludes, Op. 44: No. 2, Dundee (04:11)
1-13. Tom Winpenny – 5 Hymn Tune Preludes, Op. 44: No. 3, Darwall’s 148th (01:41)
1-14. Tom Winpenny – 5 Hymn Tune Preludes, Op. 44: No. 4, Down Ampney (04:06)
1-15. Tom Winpenny – 5 Hymn Tune Preludes, Op. 44: No. 5, Veni Creator Spiritus (01:48)
1-16. Tom Winpenny – Piece for Organ, Op. 10 (03:56)
1-17. Tom Winpenny – Intrada & Finale, Op. 241: II. Finale (06:22)

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The music of the English composer John Gardner (1917–2011) – basically tonal and always impeccably crafted – is characterised by rhythmic vivacity and harmonic immediacy. His musical fingerprints come from his love of jazz, Renaissance and Baroque procedures and his mastery of imitative counterpoint; his use of established musical forms invests them with a quirky and distinctive harmonic idiom. This first album of two collecting his entire output of organ music presents not only his sly humour but also the staggering contrapuntal craftsmanship of his fugue on a theme by Anton Bruckner – one of the monuments of recent British writing for the organ.

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