Tim McGraw – Sundown Heaven Town (2014/2024) [FLAC 24 bit, 96 kHz]

Tim McGraw - Sundown Heaven Town (2014/2024) [FLAC 24 bit, 96 kHz] Download

Artist: Tim McGraw
Album: Sundown Heaven Town
Genre: Country
Release Date: 2014/2024
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:10:09
Total Tracks: 18
Total Size: 1,59 GB

Tracklist:

1-1. Tim McGraw – Overrated (03:28)
1-2. Tim McGraw – City Lights (04:19)
1-3. Tim McGraw – Shotgun Rider (03:56)
1-4. Tim McGraw – Dust (03:46)
1-5. Tim McGraw – Diamond Rings And Old Barstools (03:18)
1-6. Tim McGraw – Words Are Medicine (04:32)
1-7. Tim McGraw – Sick Of Me (04:05)
1-8. Tim McGraw – Meanwhile Back At Mama’s (03:49)
1-9. Tim McGraw – Keep On Truckin’ (03:06)
1-10. Tim McGraw – Last Turn Home (03:56)
1-11. Tim McGraw – Portland, Maine (03:43)
1-12. Tim McGraw – Lookin’ For That Girl (04:20)
1-13. Tim McGraw – Still On The Line (03:52)
1-14. Tim McGraw – Lincoln Continentals And Cadillacs (04:20)
1-15. Tim McGraw – Kids Today (04:12)
1-16. Tim McGraw – I’m Feelin’ You (03:27)
1-17. Tim McGraw – The View (03:42)
1-18. Tim McGraw – Black Jacket (04:12)

Download:

There’s no question Tim McGraw seized upon the opportunity to indulge his every whim when he finally extricated himself from Curb and signed with Big Machine in 2013, the year where Two Lanes of Freedom revived his career. His renaissance continues with 2014’s Sundown Heaven Town, his second album for Big Machine and a record that often plays like a direct sequel to its predecessor in that it’s designed to show off everything McGraw and his longtime collaborator/producer Byron Gallimore can do. Being that this follows a record where the big hit was a ballad — the haunting “Highway Don’t Care,” a duet with Taylor Swift — it’s not entirely a surprise that Sundown Heaven Town is distinguished by its smooth touch but within that gloss. Sure, McGraw never goes for a brawny rocker — when Kid Rock stops by for a duet on the deluxe, it’s for an easy-rolling, sunny ballad called “Lincoln Continentals and Cadillacs” — and the quickest pace is reserved for glistening midtempo pop like “City Lights,” but this record never seems to drag, not even in its longer 18-track incarnation, because McGraw and Gallimore are masters at pacing, something that is evident on individual songs as it is on the album as a whole. McGraw knows when to shift away from the spacious arena-country of “Shotgun Rider” to the light electronic accents of “Dust,” then to glide into the modernized southern soul of “Diamond Rings and Old Barstools” or when to get delicate, as he does on the sentimental (but not sappy) “Meanwhile Back at Mama’s.” This versatility isn’t showy, which is a large part of McGraw’s charm: he has an easy touch that not only warms the sheen of his gloss, it hides the meticulousness of his craft. He’s wound up making records that are the new millennial equivalent of classic soft rock, records informed by the trends of the day but which place emphasis on melody and craft, which is why they resonate: they come on smooth and easy but have the foundation to last. – Stephen Thomas Erlewine

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