Thomas Sauer – Sovereign Lines (2021) [FLAC 24 bit, 96 kHz]

Thomas Sauer - Sovereign Lines (2021) [FLAC 24 bit, 96 kHz] Download

Artist: Thomas Sauer
Album: Sovereign Lines
Genre: Classical
Release Date: 2021
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:08:01
Total Tracks: 22
Total Size: 1,06 GB

Tracklist:

1-1. Thomas Sauer – I. Sursum (00:45)
1-2. Thomas Sauer – II. Aetheria (02:43)
1-3. Thomas Sauer – III. Chori (07:46)
1-4. Thomas Sauer – No. 1 in A Minor (03:25)
1-5. Thomas Sauer – No. 2 in A-Flat Major (02:34)
1-6. Thomas Sauer – No. 3 in F-Sharp Minor (03:40)
1-7. Thomas Sauer – I. Prelude (02:58)
1-8. Thomas Sauer – II. Scherzo (Epicycles, Tap-Dancing and a Soft Shoe) (06:12)
1-9. Thomas Sauer – III. Postlude (04:45)
1-10. Thomas Sauer – No. 2 in C-Sharp Minor (03:24)
1-11. Thomas Sauer – No. 3 in A-Flat Major (02:53)
1-12. Thomas Sauer – No. 2 in E Major (05:16)
1-13. Thomas Sauer – No. 1, Traumlied (02:25)
1-14. Thomas Sauer – No. 2, Sturm (01:25)
1-15. Thomas Sauer – No. 3, Arabeske (01:53)
1-16. Thomas Sauer – No. 4, Ende (02:42)
1-17. Thomas Sauer – No. 5, Boogie-Woogie (02:04)
1-18. Thomas Sauer – No. 6, For the Children (00:48)
1-19. Thomas Sauer – No. 7, Blues (02:00)
1-20. Thomas Sauer – No. 8, Rivière d’oubli (01:59)
1-21. Thomas Sauer – No. 9, Cascades (02:09)
1-22. Thomas Sauer – No. 10, Le trombe del mattino (04:05)

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“It cannot be easy to write for solo piano: so many magnificent sounds of the 18th and 19th centuries abide in the ears of today’s pianists and concertgoers. By including some of his favorite Chopin miniatures alongside three major piano pieces from the 1990’s, Thomas Sauer could well stand accused of an all-too-common reluctance to break from the past. He prefers to treat with this vexed situation pragmatically, acknowledging the reality that most of his listeners will perceive the new refracted through the lens of the old, and that some will simply be more inclined to keep listening when given a dose of the familiar together with the strange. All three recent works recorded here bear some imprint of the pianistic past – each in a different way – and yet all three successfully outrun it.

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