Artist: The Who
Album: My Generation (Mono Version)
Genre: Rock
Release Date: 1965/2014
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:10:24
Total Tracks: 24
Total Size: 941 MB

Tracklist:

1-1. The Who – Out In the Street (02:31)
1-2. The Who – I Don’t Mind (02:36)
1-3. The Who – The Good’s Gone (04:04)
1-4. The Who – La-la-la Lies (02:16)
1-5. The Who – Much Too Much (02:44)
1-6. The Who – My Generation (03:20)
1-7. The Who – The Kids Are Alright (03:07)
1-8. The Who – Please, Please, Please (02:46)
1-9. The Who – It’s Not True (02:32)
1-10. The Who – I’m a Man (03:21)
1-11. The Who – A Legal Matter (02:50)
1-12. The Who – The Ox (03:53)
1-13. The Who – I Can’t Explain (02:05)
1-14. The Who – Bald Headed Woman (02:10)
1-15. The Who – Anyway, Anyhow, Anywhere (02:41)
1-16. The Who – Daddy Rolling Stone (02:48)
1-17. The Who – Anytime You Want Me (02:36)
1-18. The Who – Shout and Shimmy (03:18)
1-19. The Who – Circles (03:13)
1-20. The Who – Leaving Here (02:49)
1-21. The Who – Lubie (Come Back Home) (03:37)
1-22. The Who – (Love Is Like a) Heat Wave (02:41)
1-23. The Who – Motoring (02:49)
1-24. The Who – Instant Party Mixture (03:26)

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My Generation is the debut album by The Who and was released in 1965 to great acclaim. Hailed by critics as one of the best rock albums of all time, it included hit songs such as “My Generation” and “The Kids Are Alright”.An explosive debut, and the hardest mod pop recorded by anyone. At the time of its release, it also had the most ferociously powerful guitars and drums yet captured on a rock record. Pete Townshend’s exhilarating chord crunches and guitar distortions threaten to leap off the grooves on “My Generation” and “Out in the Street”; Keith Moon attacks the drums with a lightning, ruthless finesse throughout. Some “Maximum R&B” influence lingered in the two James Brown covers, but much of Townshend’s original material fused Beatlesque hooks and power chords with anthemic mod lyrics, with “The Good’s Gone,” “Much Too Much,” “La La La Lies,” and especially “The Kids Are Alright” being highlights. “A Legal Matter” hinted at more ambitious lyrical concerns, and “The Ox” was instrumental mayhem that pushed the envelope of 1965 amplification with its guitar feedback and nonstop crashing drum rolls. While the execution was sometimes crude, and the songwriting not as sophisticated as it would shortly become, the Who never surpassed the pure energy level of this record.