Artist: The Dave Brubeck Quartet
Album: Time Out
Genre: Jazz
Release Date: 1959/2013
Audio Format:: FLAC (tracks) 24 bit, 176,4 kHz
Duration: 38:46
Total Tracks: 7
Total Size: 1,66 GB

Tracklist:

01. The Dave Brubeck Quartet – Blue Rondo à la Turk (06:49)
02. The Dave Brubeck Quartet – Strange Meadow Lark (07:26)
03. The Dave Brubeck Quartet – Take Five (05:28)
04. The Dave Brubeck Quartet – Three To Get Ready (05:26)
05. The Dave Brubeck Quartet – Kathy’s Waltz (04:51)
06. The Dave Brubeck Quartet – Everybody’s Jumpin’ (04:24)
07. The Dave Brubeck Quartet – Pick Up Sticks (04:19)

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Time Out is the groundbreaking double-Platinum jazz classic by The Dave Brubeck Quartet. This pivotal outing is widely declared Dave Brubeck’s defining masterpiece and is one of the most innovative jazz albums of all time. It began as a musical experiment showcasing the quartet performing seven original jazz compositions, each in a different time signature and includes the massive hit “Take Five.” It soon became an iconic crossover, spending 164 weeks on the charts. In 2005, Time Out was inducted into the Library of Congress’ National Recording Registry and the GRAMMY Hall of Fame. It is the first jazz album to earn a Platinum certification.

From the very first note of ‘Blue Rondo’, it was clear that this superlative example of a high-res download is destined to convert disbelievers. By the time they hear the piano on ‘Kathy’s Waltz’, they’ll be hooked. Ken Kessler, Hi-Fi News & Record ReviewDave Brubeck’s defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move — Brubeck’s record company wasn’t keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz’s rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond’s ubiquitous “Take Five,” Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That’s a testament to Brubeck and Desmond’s abilities as composers, because Time Out is full of challenges both subtle and overt — it’s just that they’re not jarring. Brubeck’s classic “Blue Rondo à la Turk” blends jazz with classical form and Turkish folk rhythms, while “Take Five,” despite its overexposure, really is a masterpiece; listen to how well Desmond’s solo phrasing fits the 5/4 meter, and how much Joe Morello’s drum solo bends time without getting lost. The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics. Some have come to disdain Time Out as its become increasingly synonymous with upscale coffeehouse ambience, but as someone once said of Shakespeare, it’s really very good in spite of the people who like it. It doesn’t just sound sophisticated — it really is sophisticated music, which lends itself to cerebral appreciation, yet never stops swinging. Countless other musicians built on its pioneering experiments, yet it’s amazingly accessible for all its advanced thinking, a rare feat in any art form. This belongs in even the most rudimentary jazz collection.