Artist: The Danish Piano Trio
Album: Gade, Lange-Müller, Langgaard: Danish Romantic Piano Trios
Genre: Classical
Release Date: 2015
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:14:50
Total Tracks: 9
Total Size: 1,25 GB
Tracklist:
01. The Danish Piano Trio – Trio for Piano, Violin and Cello in F minor, Op. 53: I. Moderato con moto (14:37)
02. The Danish Piano Trio – Trio for Piano, Violin and Cello in F minor, Op. 53: II. Allegretto piacevole – L’istesso tempo (scherzando) – Tempo I (07:44)
03. The Danish Piano Trio – Trio for Piano, Violin and Cello in F minor, Op. 53: III. Allegro con brio, ma non troppo presto (09:17)
04. The Danish Piano Trio – Trio for Piano, Violin and Cello in F major, Op. 42: I. Allegro animato (09:05)
05. The Danish Piano Trio – Trio for Piano, Violin and Cello in F major, Op. 42: II. Allegro molto vivace (03:33)
06. The Danish Piano Trio – Trio for Piano, Violin and Cello in F major, Op. 42: III. Andantino (03:14)
07. The Danish Piano Trio – Trio for Piano, Violin and Cello in F major, Op. 42: IV. Finale: Allegro con fuoco (06:08)
08. The Danish Piano Trio – Piano Trio Movement in B flat major (1839): Adagio – Allegro con fuoco (12:06)
09. The Danish Piano Trio – Fjeldblomster (Mountain Flowers), BVN 34: Andante molto (09:03)
Download:
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dramatic turn-of-the-century art of P.E. Lange-Müller, the album concludes with the beautiful single-movement Mountain Flowers from 1908 by the hyper-Romantic prodigy Rued Langgaard.The big cheese of 19th-century Danish music, Niels Gade, was among the first to pounce on it. Gade was a fine violinist (Schumann noted the link with his surname and the instrument’s four strings) but was not so hot on keys, which might contribute to the slightly heavy, stop-start feel that stalks his B flat Piano Trio (1863). We also hear the first movement of an aborted trio from 1839, planned as a programmatic piece based on a heroic adventure. Ironically, the narrative framework might have freed Gade up to worry less about thematic development – a benefit when his themes never quite have the directness of his chum Mendelssohn’s. A charming piece that feels more at ease with itself, though in both works Gade’s sturdy craftsmanship is clear.
In the self-effacing Peter Erasmus Lange-Müller you almost always hear something different: unusual harmonic glances, an attractive sense of hesitance and, in the case of his F minor Piano Trio (1898), a distinct French influence. The piece rises to a powerful climax in the last movement, Lange-Müller standing tall at last, shouting to be heard over the rest of them. Fans of the crazy Dane Rued Langgaard will recognise the music of Mountain Flowers (1908) as the basis for the second movement of his First Symphony. Good stuff, but Langgaard was right to recognise that the material suited broad orchestral clothing better. The piano takes prominence in the sound picture, which would be more frustrating were Katrine Gislinge’s playing not so full of fluency and tenderness. –Andrew Mellor, Gramophone