The Choir of Keble College Oxford, Academy of Ancient Music, Matthew Martin – Valls – Missa Regalis (2020) [FLAC 24 bit, 96 kHz]

The Choir of Keble College Oxford, Academy of Ancient Music, Matthew Martin - Valls - Missa Regalis (2020) [FLAC 24 bit, 96 kHz] Download

Artist: The Choir of Keble College Oxford, Academy of Ancient Music, Matthew Martin
Album: Valls – Missa Regalis
Genre: Classical
Release Date: 2020
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 40:52
Total Tracks: 8
Total Size: 727 MB

Tracklist:

01. The Choir of Keble College, Oxford – Missa Regalis: I. Kyrie (05:14)
02. The Choir of Keble College, Oxford – Missa Regalis: II. Gloria (07:54)
03. Matthew Martin – Tiento y discurso de segundo tono, FO 2 (05:56)
04. The Choir of Keble College, Oxford – Missa Regalis: III. Credo (09:38)
05. Matthew Martin – Tiento de falsas primer tono, WSC 161 (02:52)
06. The Choir of Keble College, Oxford – Missa Regalis: IV. Sanctus (01:59)
07. Matthew Martin – Tiento de medio registro de tiple setimo tono, FO 29 (04:52)
08. The Choir of Keble College, Oxford – Missa Regalis: V. Agnus Dei (02:23)

Download:

This AAMRecords’ latest release, with the Academy of Ancient Music joining forces with The Choir of Keble College and director Matthew Martin, is a landmark recording of Francisco Vall’s ‘forgotten’ Missa Regalis [1740]. Performed from a new edition by Simon Heighes, Valls’ fascinating (and frequently confusticating) juxtaposition of ancient and ‘modern’ compositional styles provides a intriguing glimpse into the treasure-trove of Spanish baroque music, much of which remains relatively unknown to the wider world.The movements of the Missa Regalis are here interspersed with earlier keyboard works by both Francisco Corrêa de Arouxo and Juan Cabinilles. Director Matthew Martin writes: ‘there has been no attempt to create any particular formal liturgical sequence here, rather to place the Mass within a broader musical context using a style of keyboard writing most likely to have been familiar to Valls and his contemporaries.’ These organ pieces were recorded on the Aubertin organ in St. John’s College, Oxford and overlaid with Keble Chapel’s acoustic.

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