Artist: The 1975
Album: Notes On A Conditional Form
Genre: Pop Rock, Indie Rock
Release Date: 2020
Audio Format:: FLAC (tracks) 24 bit, 44,1 kHz
Duration: 01:20:41
Total Tracks: 22
Total Size: 917 MB

Tracklist:

1. The 1975 – The 1975 (04:55)
2. The 1975 – People (02:38)
3. The 1975 – The End (Music For Cars) (02:30)
4. The 1975 – Frail State Of Mind (03:53)
5. The 1975 – Streaming (01:32)
6. The 1975 – The Birthday Party (04:45)
7. The 1975 – Yeah I Know (04:13)
8. The 1975 – Then Because She Goes (02:07)
9. The 1975 – Jesus Christ 2005 God Bless America (04:24)
10. The 1975 – Roadkill (02:55)
11. The 1975 – Me & You Together Song (03:27)
12. The 1975 – I Think There’s Something You Should Know (04:00)
13. The 1975 – Nothing Revealed / Everything Denied (03:38)
14. The 1975 – Tonight (I Wish I Was Your Boy) (04:07)
15. The 1975 – Shiny Collarbone (02:50)
16. The 1975 – If You’re Too Shy (Let Me Know) (05:19)
17. The 1975 – Playing On My Mind (03:24)
18. The 1975 – Having No Head (06:04)
19. The 1975 – What Should I Say (04:06)
20. The 1975 – Bagsy Not In Net (02:26)
21. The 1975 – Don’t Worry (02:48)
22. The 1975 – Guys (04:29)

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The fourth album from Manchester quartet led by the “bad boy of pop-rock” (as described by Pitchfork) Matty Healy, 31. The most interesting thing about The 1975’s music is its ability, through diversity and multiplicity, to represent the times in which we live. This is their strength, but also one of their limitations. On this rather pretentiously titled album, “Notes On A Conditional Form”, we find an ensemble of many styles: an intro of several minutes consisting of worrisome spoken-word à la Laurie Anderson (in fact an alarming speech by Great Thunberg on “The 1975”), thrashing rock and punks’ cries on “People”, a quasi-classical section resembling the soundtrack of a new age film on “The End (Music For Cars)” before finishing it all off with the very R&B, “Frail State of Mind”… A sort of virtuous patchwork, the album resembles an eclectic radio show or playlist. With some twenty-two tracks, and a one hour twenty minute run time, this might appear lengthy. But the diversity of this post modern collage helps us to forget that we are listening to just one group. The only danger? A blurred identity diluted through multitude. A little like our lives today. – Yan Céh