Tapiola Sinfonietta, John Storgårds – Terral, Strings to the Bone, Chamber Symphony (2023) [FLAC 24 bit, 96 kHz]

Tapiola Sinfonietta, John Storgårds - Terral, Strings to the Bone, Chamber Symphony (2023) [FLAC 24 bit, 96 kHz] Download

Artist: Tapiola Sinfonietta, John Storgårds
Album: Terral, Strings to the Bone, Chamber Symphony
Genre: Classical
Release Date: 2023
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:08:12
Total Tracks: 7
Total Size: 1,09 GB

Tracklist:

01. Tapiola Sinfonietta & John Storgårds – Fagerlund: Terral (Flute Concerto): I. Lento, liberamente un poco (12:36)
02. Tapiola Sinfonietta & John Storgårds – Fagerlund: Terral (Flute Concerto): II. Energico e brillante (04:23)
03. Tapiola Sinfonietta & John Storgårds – Fagerlund: Terral (Flute Concerto): III. Espansivo, sonore (11:02)
04. Tapiola Sinfonietta & John Storgårds – Fagerlund: Strings to the Bone (14:13)
05. Tapiola Sinfonietta & John Storgårds – Fagerlund: Chamber Symphony: I. Calmo, misterioso (08:06)
06. Tapiola Sinfonietta & John Storgårds – Fagerlund: Chamber Symphony: II. Energico e brillante (09:38)
07. Tapiola Sinfonietta & John Storgårds – Fagerlund: Chamber Symphony: III. Espansivo (08:13)

Download:

Sebastian Fagerlund’s orchestral music, which has held a central position in his work, is known for its pounding rhythmic energy and the quiet, gripping intensity of the more static passages.

The flute concerto ‘Terral’ was written in close collaboration with Sharon Bezaly. Referring to a land breeze in Spain, ‘Terral’ is like a constant variation in a transparent and airy soundscape reminiscent of the soil taking on a new appearance when blown by the wind. Strings to the Bone for string orchestra features Fagerlund’s typically intense and virtuosic writing as well as elements of the musical heritage of Ostrobothnia. Finally, the Chamber Symphony came to existence thanks to his collaboration with the Tapiola Sinfonietta and the Ottawa-based National Arts Centre Orchestra, where John Storgårds has been principal guest conductor since 2015. According to the Finnish daily Hufvudstadsbladet, this work shows “a thematically consistent symphonic construction with an authentic symphonic tension integrated into the dramaturgical gesture”.

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