Artist: Supersax
Album: Chasin’ the Bird
Genre: Jazz
Release Date: 1977/2015
Audio Format:: FLAC (tracks) 24 bit, 88,2 kHz
Duration: 40:00
Total Tracks: 9
Total Size: 791 MB

Tracklist:

1. Supersax – Shaw Nuff (04:25)
2. Supersax – A Night in Tunesia (06:07)
3. Supersax – Drifting on a Reed (Big Foot) (05:05)
4. Supersax – The Song Is You (03:56)
5. Supersax – Oop Bop Sh’bam (04:14)
6. Supersax – ‘Round Midnight (03:32)
7. Supersax – Now’s the Time (03:37)
8. Supersax – Dizzy Atmosphere (05:21)
9. Supersax – Chasin’ the Bird (03:40)

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For their fourth album, Supersax continued its practice of recreating recorded Charlie Parker solos harmonized for a full saxophone section. What was different this time around was that with one exception, all of the solos were taken from concerts rather than studio dates. The result is that the ensembles sound fresher (since Bird’s live improvisations are generally not that well-known) and longer. Trumpeters Blue Mitchell and Conte Candoli, trombonist Frank Rosolino and pianist Lou Levy get solo space, and highlights include “Shaw Nuff”, “Drifting on a Reed”, “Dizzy Atmosphere” and a six-minute rendition of “Night In Tunisia”.After Louis Armstrong, alto saxophonist Charlie “Bird” Parker was arguably the most important innovator in jazz. His creativity and virtuosity revolutionized the music and ushered in the modern era. The Grammy award-winning group Supersax were a group of ace LA musicians who dedicated themselves to transcribing and playing Parker’s solos – a prodigious task that allows for a new listen to some of Bird’s masterful improvisations. Two altos, two tenors, and a baritone sax take on the challenge. The nine tracks concentrate on originals from Parker and fellow iconoclast Dizzy Gillespie. Supersax take Parker’s solo at lightning speed on Shaw ‘Nuff, while on the Gillespie classic Night In Tunisia they take on one of the most famous saxophone breaks in jazz in stride. A pristine Solo by trumpeter Blue Mitchell graces the piece. Drifting On A Reed is a super hip bebop blues with Bird’s quintessential blues solo. Trombone maestro Frank Rosolino demonstrates how bop is played on that instrument. There is the iconic Parker blues Now’s The Time, as well as the stratospheric sax lines on Gillespie’s Dizzy Atmosphere. It all ends with what musicians have been doing for more than a half century: Chasin’ The Bird. It’s high time this album re-emerges to fly again. It just goes to prove – Bird Lives – he’s a Phoenix.