Artist: Stephen Hough
Album: Debussy: Piano Music
Genre: Classical
Release Date: 2018
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:09:25
Total Tracks: 17
Total Size: 1,13 GB

Tracklist:

1-1. Stephen Hough – Debussy: Estampes, L108 – 1: Pagodes (05:25)
1-2. Stephen Hough – Debussy: Estampes, L108 – 2: La soirée dans Grenade (05:26)
1-3. Stephen Hough – Debussy: Estampes, L108 – 3: Jardins sous la pluie (03:35)
1-4. Stephen Hough – Debussy: Images I, L105 – 1: Reflets dans l’eau (04:57)
1-5. Stephen Hough – Debussy: Images I, L105 – 2: Hommage à Rameau (06:24)
1-6. Stephen Hough – Debussy: Images I, L105 – 3: Mouvement (03:28)
1-7. Stephen Hough – Debussy: Images II, L120 – 1: Cloches à travers les feuilles (04:05)
1-8. Stephen Hough – Debussy: Images II, L120 – 2: Et la lune descend sur le temple qui fut (05:14)
1-9. Stephen Hough – Debussy: Images II, L120 – 3: Poissons d’or (04:01)
1-10. Stephen Hough – Debussy: Children’s Corner, L119 – 1: Doctor Gradus ad Parnassum (02:23)
1-11. Stephen Hough – Debussy: Children’s Corner, L119 – 2: Jimbo’s lullaby (02:47)
1-12. Stephen Hough – Debussy: Children’s Corner, L119 – 3: Serenade for the doll (02:38)
1-13. Stephen Hough – Debussy: Children’s Corner, L119 – 4: The snow is dancing (02:39)
1-14. Stephen Hough – Debussy: Children’s Corner, L119 – 5: The little shepherd (02:22)
1-15. Stephen Hough – Debussy: Children’s Corner, L119 – 6: Golliwogg’s cake-walk (03:01)
1-16. Stephen Hough – Debussy: La plus que lente, L128 (04:18)
1-17. Stephen Hough – Debussy: L’isle joyeuse, L109 (06:35)

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Any new recording from Stephen Hough is a keenly awaited musical event. Here his customary scintillating technique and imaginative intelligence (The Guardian) are deployed in the service of an all-Debussy recital which sets the bar high at this, the start of the composers centenary year.A well-balanced selection embraces most of Debussy’s larger works for solo piano outside the two books of Préludes and the Études. The triptych of Estampes sets the tone with clear, atmospheric playing, given an extra warmth in Hyperion’s perfectly judged recording. –Financial Times, January’17