Artist: Sharon Bezaly, Ronald Brautigam
Album: Bezaly and Brautigam – Masterworks for Flute and Piano
Genre: Classical
Release Date: 2006
Audio Format:: FLAC (tracks) 24 bit, 88,2 kHz
Duration: 01:03:03
Total Tracks: 15
Total Size: 940 MB

Tracklist:

01. Sharon Bezaly, Ronald Brautigam – Sonata in D major, Op.94: I. Moderato (07:49)
02. Sharon Bezaly, Ronald Brautigam – Sonata in D major, Op.94: II. Scherzo. Presto (04:40)
03. Sharon Bezaly, Ronald Brautigam – Sonata in D major, Op.94: III. Andante (03:27)
04. Sharon Bezaly, Ronald Brautigam – Sonata in D major, Op.94: IV. Allegro con brio (06:49)
05. Sharon Bezaly, Ronald Brautigam – Variations in E minor on the song ‘Trockne Blumen’, D 802: Introduction. Andante (02:51)
06. Sharon Bezaly, Ronald Brautigam – Variations in E minor on the song ‘Trockne Blumen’, D 802: Theme. Andantino (01:42)
07. Sharon Bezaly, Ronald Brautigam – Variations in E minor on the song ‘Trockne Blumen’, D 802: Variation I (01:36)
08. Sharon Bezaly, Ronald Brautigam – Variations in E minor on the song ‘Trockne Blumen’, D 802: Variation II (01:40)
09. Sharon Bezaly, Ronald Brautigam – Variations in E minor on the song ‘Trockne Blumen’, D 802: Variation III (02:20)
10. Sharon Bezaly, Ronald Brautigam – Variations in E minor on the song ‘Trockne Blumen’, D 802: Variation IV (01:44)
11. Sharon Bezaly, Ronald Brautigam – Variations in E minor on the song ‘Trockne Blumen’, D 802: Variation V (02:11)
12. Sharon Bezaly, Ronald Brautigam – Variations in E minor on the song ‘Trockne Blumen’, D 802: Variation VI (02:34)
13. Sharon Bezaly, Ronald Brautigam – Variations in E minor on the song ‘Trockne Blumen’, D 802: Variation VII (03:06)
14. Sharon Bezaly, Ronald Brautigam – Sonatina: Allegretto – Andante – Animé (09:31)
15. Sharon Bezaly, Ronald Brautigam – Chant de Linos (10:56)

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Recently released recordings of Mozart’s concertos, of three contemporary works for flute and orchestra and of a programme for solo flute have earned Sharon Bezaly epithets such as ‘God’s gift to the flute’, ‘an amazingly talented performer’ and ‘a First Lady among equals’. Here she has turned to some of the central works for flute and piano, and with Ronald Brautigam, familiar from many BIS releases, gives her interpretations of three master-pieces of the 1940s flanking Schubert’s great Trockne Blumen variations, composed some 120 years earlier. Though written in the span of two years, Prokofiev’s Sonata, Dutilleux’s Sonatine and Jolivet’s Chant de Linos each show the flute in a different light.

Prokofiev was preoccupied with clarity of style and found the instrument a perfect vehicle: ‘The sonata should be played with a bright, transparent, classical tone’, he wrote. (David Oistrakh later convinced the composer to create a violin version, which quickly became very popular.)

A distinctly different approach was taken by Jolivet, who wrote his Chant inspired by the ancient Greek concept of ‘linos’, a ritual lament punctuated by cries and dancing. It is thus based on musical material associated with Greek modes and explores the extremes of expression.

Dutilleux, finally, composed his Sonatine as a set piece for the flute competitions of the Paris Conservatoire. But these academic-sounding origins are belied by the by turns atmospheric and spirited writing, so typical of the multi-faceted Dutilleux.