Seattle Symphony, Ludovic Morlot – Berlioz: Requiem, Op. 5, H. 75 & La mort d’Orphée, H. 25 (Live) (2018) [FLAC 24bit, 96 kHz]

Seattle Symphony, Ludovic Morlot - Berlioz: Requiem, Op. 5, H. 75 & La mort d'Orphée, H. 25 (Live) (2018) [FLAC 24bit, 96 kHz] Download

Artist: Seattle Symphony, Ludovic Morlot
Album: Berlioz: Requiem, Op. 5, H. 75 & La mort d’Orphée, H. 25 (Live)
Genre: Classical
Release Date: 2018
Audio Format:: FLAC (tracks) 24bit, 96 kHz
Duration: 01:28:52
Total Tracks: 11
Total Size: 1,48 GB

Tracklist:

1-01. Seattle Symphony Chorale – Grande messe des morts, Op. 5, H. 75 ‘Requiem’ – Requiem et Kyrie 09-23 (09:23)
1-02. Seattle Symphony Chorale – Grande messe des morts, Op. 5, H. 75 ‘Requiem’ – Dies Irae – Tuba Mirum 11-09 (11:09)
1-03. Seattle Symphony Chorale – Grande messe des morts, Op. 5, H. 75 ‘Requiem’ – Quid sum miser 02-59 (02:59)
1-04. Seattle Symphony Chorale – Grande messe des morts, Op. 5, H. 75 ‘Requiem’ – Rex tremendae 05-36 (05:36)
1-05. Seattle Symphony Chorale – Grande messe des morts, Op. 5, H. 75 ‘Requiem’ – Quaerens me 04-23 (04:23)
1-06. Seattle Symphony Chorale – Grande messe des morts, Op. 5, H. 75 ‘Requiem’ – Lacrimosa 09-59 (09:59)
1-07. Seattle Symphony Chorale – Grande messe des morts, Op. 5, H. 75 ‘Requiem’ – Offertoire 08-28 (08:28)
1-08. Seattle Symphony Chorale – Grande messe des morts, Op. 5, H. 75 ‘Requiem’ – Hostias 03-29 (03:29)
1-09. Kenneth Tarver – Grande messe des morts, Op. 5, H. 75 ‘Requiem’ – Sanctus 09-45 (09:45)
1-10. Seattle Symphony Chorale – Grande messe des morts, Op. 5, H. 75 ‘Requiem’ – Agnus Dei 10-42 (10:42)
1-11. Kenneth Tarver – La mort d’Orphee (12:55)

Download:

Renowned for his interpretation of the French repertoire, Seattle Symphony Music Director Ludovic Morlot and the orchestra are joined by acclaimed tenor Kenneth Tarver, a voice of considerable beauty and freedom (Washington Post) in a masterful performance of Hector Berlioz s momentous Requiem. The first performance of Hector Berlioz s Grande messe des morts, or Requiem, took place in Paris in 1837. It was one of the high points of its author s career, but this triumph did not come easily. Still in his early 30s, Berlioz was widely considered the untamed radical among French composers, and the conservative bureaucrats who controlled the Paris Opera, the Conservatoire and other musical institutions saw fit to place obstacles in his path whenever they could. Kenneth Tarver is considered one of the outstanding Bel Canto tenors of his generation, acknowledged for his beauty of tone, virtuosic technique, extensive and even vocal range, coupled with an attractive and elegant stage presence.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

© 2024 hi-res.me - WordPress Theme by WPEnjoy
%d bloggers like this: