![Rumon Gamba - Williamson: Santiago de Espada, Our Man in Havana Suite, Concerto Grosso & Sinfonietta (2006/2022) [FLAC 24 bit, 96 kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/12/18/gfj02r8dcuosc_600.jpg?ssl=1)
Artist: Rumon Gamba
Album: Williamson: Santiago de Espada, Our Man in Havana Suite, Concerto Grosso & Sinfonietta
Genre: Classical
Release Date: 2006/2022
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 57:23
Total Tracks: 13
Total Size: 999 MB
Tracklist:
1-1. Rumon Gamba – Santiago de Espada (06:22)
1-2. Rumon Gamba – I. Prelude, Cuban dances and waltz song (05:55)
1-3. Rumon Gamba – II. Passacaglia and Threnody (05:00)
1-4. Rumon Gamba – III. Serenade (02:33)
1-5. Rumon Gamba – IV. Intermezzo (02:37)
1-6. Rumon Gamba – V. Finale (04:18)
1-7. Rumon Gamba – I. Adagio (05:19)
1-8. Rumon Gamba – II. Adagio (01:07)
1-9. Rumon Gamba – III. Presto vivace (04:27)
1-10. Rumon Gamba – Prelude (02:12)
1-11. Rumon Gamba – I. Toccata. Allegro (05:26)
1-12. Rumon Gamba – II. Elegy. Grave (06:07)
1-13. Rumon Gamba – III. Tarantella. Presto (05:56)
Download:
https://xubster.com/kikvfxgcorn6/Rum0nGambaWilliams0nSantiag0deEspada0urManinHavanaSuiteC0ncert0Gr0ss0Sinf0nietta200620222496.part2.rar.html
Rumon Gamba and the Iceland Symphony Orchestra present a delightful collection of works by prolific composer and former Master of the Queen’s Music Malcolm Williamson in this multi-release recording project. Featuring the colourfully cinematic Our Man in Havana Suite from the opera of the same name—based on the 1958 Graham Green novel—this first volume is a wonderful introduction to Williamson’s oeuvre.“the music here is really quite wonderful and played (the occasional lapse of ensemble notwithstanding) with palpable affection and devotion and is recorded with clarity and dynamism… This release confirms [Williamson] as a rather special composer.”
– International Record Review
“All of [these pieces] show how Williamson was highly skilled at manipulating a wide range of musical material, and how he could juxtapose apparently incompatible types of music to real theatrical effect. And between the tongue-in-cheek parodies and pastiches there are hints of something more searching and personal, suggesting that the chameleon-like character really was an artfully constructed mask.”
– The Guardian
“Reminiscent of Malcolm Arnold, these catchy scores in exuberant performances should help restore the reputation of the late Master of the Queen’s Music.”
– Classic FM Magazine