Royal Scottish National Orchestra, Neeme Järvi – A Festival of Fučík (2015) [FLAC, 24bit, 96 kHz]

Royal Scottish National Orchestra, Neeme Järvi - A Festival of Fučík (2015) [FLAC, 24bit, 96 kHz] Download

Artist: Royal Scottish National Orchestra, Neeme Järvi
Album: A Festival of Fučík
Genre: Classical
Release Date: 2015
Audio Format: FLAC (tracks) 24bit, 96 kHz
Duration: 01:19:51
Total Tracks: 22
Total Size: 1,44 GB

Tracklist:

01. Royal Scottish National Orchestra, Neeme Järvi – Marinarella, Op. 215 (10:59)
02. Royal Scottish National Orchestra, Neeme Järvi – Onkel Teddy (Uncle Teddy), Op. 239 (version for orchestra) (04:54)
03. Royal Scottish National Orchestra, Neeme Järvi – Donausagen, Op. 233: Andantino (03:05)
04. Royal Scottish National Orchestra, Neeme Järvi – Donausagen, Op. 233: I. Tempo di valse (01:47)
05. Royal Scottish National Orchestra, Neeme Järvi – Donausagen, Op. 233: II. Con dolcezza (01:51)
06. Royal Scottish National Orchestra, Neeme Järvi – Donausagen, Op. 233: III. (01:24)
07. Royal Scottish National Orchestra, Neeme Järvi – Donausagen, Op. 233: Coda (02:10)
08. Royal Scottish National Orchestra, Neeme Järvi – Die lustigen Dorfschmiede (The Merry Blacksmiths), Op. 218 (02:37)
09. Royal Scottish National Orchestra, Neeme Järvi – Der alte Brummbar, Op. 210: Der alte Brummbar (The Old Grumbler), Op. 210 (05:02)
10. Royal Scottish National Orchestra, Neeme Järvi – Einzug der Gladiatoren (The Entry of the Gladiators), Op. 68, ‘Triumph March’ (02:39)
11. Royal Scottish National Orchestra, Neeme Järvi – Miramare, Op. 247 (07:50)
12. Royal Scottish National Orchestra, Neeme Järvi – Florentiner Marsch (Florentine March), Op. 214, ‘Grande marcia Italiana’ (05:22)
13. Royal Scottish National Orchestra, Neeme Järvi – Wintersturme (Winter Storms), Op. 184 (arr. P. Stanek for orchestra) (09:23)
14. Royal Scottish National Orchestra, Neeme Järvi – Hercegovac, Op. 235 (02:59)
15. Royal Scottish National Orchestra, Neeme Järvi – Regimentskinder (Children of the Regiment), Op. 169 (03:04)
16. Royal Scottish National Orchestra, Neeme Järvi – Ballettratten, Op. 226: Allegretto (01:24)
17. Royal Scottish National Orchestra, Neeme Järvi – Ballettratten, Op. 226: I. Tempo di valse (01:48)
18. Royal Scottish National Orchestra, Neeme Järvi – Ballettratten, Op. 226: II. Meno con delicatezza (01:23)
19. Royal Scottish National Orchestra, Neeme Järvi – Ballettratten, Op. 226: III. Meno mosso (01:36)
20. Royal Scottish National Orchestra, Neeme Järvi – Ballettratten, Op. 226: Coda (01:54)
21. Royal Scottish National Orchestra, Neeme Järvi – The Mississippi River, Op. 160 (161) (02:47)
22. Royal Scottish National Orchestra, Neeme Järvi – Unter der Admiralsflagge (Under the Admiral’s Flag), Op. 82 (03:44)

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Thirty years after having recorded Dvořák’s complete Symphonies on Chandos, the Royal Scottish National Orchestra and its laureate conductor Neeme Järvi tackle another romantic Czech composer: Julius Fučík, famous for his more than 400 polkas, marches, and waltzes, some of the best of which are featured here.
Fučík studied violin in his early years, switching later to the bassoon, with a subsidiary in percussion and timpani. Playing in Austrian regiments, he gained invaluable experience of writing for military band and became a very prolific composer of marches. The most famous of these is of course Entry of the Gladiators, completed in 1899 and performed throughout the world ever since.

Full of energetic, effervescent Bohemian crossrhythms, tuneful brass melodies (often now associated with a circus atmosphere), but also more lyrical expressions, this album is a festival in itself.

“Järvi and the Royal Scottish National Orchestra deliver this excellently recorded anthology with great enthusiasm, throwing themselves into these brightly coloured scores without a hint of condescension or irony…this is a highly enjoyable reminder of the delights of Romanticism’s popular side.” –BBC Music magazine

“Nicely crafted and highly enjoyable music, played with all the life and fizz it requires by Järvi and his Scottish-based colleagues. What he lacks in memorable melody he makes up for with swagger, immense charm and foot-tapping brio – and, my goodness, this career bandmaster certainly knew how to orchestrate. The sound picture is a Chandos spectacular.”—Gramophone

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