Artist: Roberto Prosseda
Album: Mozart: Piano Sonatas Nos. 13-18
Genre: Classical
Release Date: 2019
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 02:08:08
Total Tracks: 20
Total Size: 1,91 GB

Tracklist:

1-01. Roberto Prosseda – Piano Sonata No.13 In B Flat, K.333 – 1. Allegro (07:02)
1-02. Roberto Prosseda – Piano Sonata No.13 In B Flat, K.333 – 2. Andante cantabile (11:17)
1-03. Roberto Prosseda – Piano Sonata No.13 In B Flat, K.333 – 3. Allegretto grazioso (06:14)
1-04. Roberto Prosseda – Fantasia in C Minor, K. 475 (11:11)
1-05. Roberto Prosseda – Piano Sonata No. 14 in C Minor, K. 457 – 1. Molto allegro (07:50)
1-06. Roberto Prosseda – Piano Sonata No. 14 in C Minor, K. 457 – 2. Adagio (07:05)
1-07. Roberto Prosseda – Piano Sonata No. 14 in C Minor, K. 457 – 3. Allegro assai (04:46)
1-08. Roberto Prosseda – Piano Sonata No. 15 in F Major, K. 533/494 – 1. Allegro, K.533 (07:37)
1-09. Roberto Prosseda – Piano Sonata No. 15 in F Major, K. 533/494 – 2. Andante, K.533 (09:11)
1-10. Roberto Prosseda – Piano Sonata No. 15 in F Major, K. 533/494 – 3. Rondo (Allegretto), K.494 (06:23)
1-11. Roberto Prosseda – Piano Sonata No. 16 in C Major, K. 545 ‘Sonata facile’ – 1. Allegro (04:15)
1-12. Roberto Prosseda – Piano Sonata No. 16 in C Major, K. 545 ‘Sonata facile’ – 2. Andante (05:47)
1-13. Roberto Prosseda – Piano Sonata No. 16 in C Major, K. 545 ‘Sonata facile’ – 3. Rondo (Allegro) (02:05)
1-14. Roberto Prosseda – Piano Sonata No.17 in B Flat Major, K.570 – 1. Allegro (05:58)
1-15. Roberto Prosseda – Piano Sonata No.17 in B Flat Major, K.570 – 2. Adagio (08:41)
1-16. Roberto Prosseda – Piano Sonata No.17 in B Flat Major, K.570 – 3. Allegretto (03:51)
1-17. Roberto Prosseda – Piano Sonata No. 18 in D Major, K. 576 – 1. Allegro (05:06)
1-18. Roberto Prosseda – Piano Sonata No. 18 in D Major, K. 576 – 2. Adagio (04:40)
1-19. Roberto Prosseda – Piano Sonata No. 18 in D Major, K. 576 – 3. Allegretto (04:18)
1-20. Roberto Prosseda – Allegro in G minor, K.312 (04:51)

Download:

Roberto Prosseda closes the Mozart sonatas series with not equal tuning. Is there really any need for yet another recording of Mozart’s sonatas? Is it still possible to say something new when playing these compositions while maintaining respect for the score and for the composer’s indications? If Mozart were alive today, would he prefer to perform his sonatas on a fortepiano of the time or on a modern piano?

These are questions to which it is not possible to give an unequivocal answer, but on which I have reflected a great deal, also profiting from the availability of the sources and of many recent philological studies. In the letter to his father cited earlier, written on 17 October 1777, Mozart declared his enthusiasm for a new Stein piano that he had tried out, which was provided with a rudimentary system for working the dampers (corresponding to the right pedal on modern instruments).