Raffaele La Ragione, Il Pomo d’Oro, Francesco Corti – Mandolin on Stage (2022) [FLAC 24bit, 96 kHz]

Raffaele La Ragione, Il Pomo d'Oro, Francesco Corti - Mandolin on Stage (2022) [FLAC 24bit, 96 kHz] Download

Artist: Raffaele La Ragione, Il Pomo d’Oro, Francesco Corti
Album: Mandolin on Stage
Genre: Classical
Release Date: 2022
Audio Format:: FLAC (tracks) 24bit, 96 kHz
Duration: 01:06:54
Total Tracks: 17
Total Size: 1,24 GB

Tracklist:

01. Raffaele La Ragione – I. Allegro (02:56)
02. Raffaele La Ragione – II. Largo (03:42)
03. Raffaele La Ragione – III. Allegro (02:11)
04. Il Pomo D’oro – I. Allegro (01:34)
05. Il Pomo D’oro – II. Andante (01:29)
06. Il Pomo D’oro – III. Tempo di Minuetto (01:05)
07. Raffaele La Ragione – I. Allegro Maestoso (05:27)
08. Raffaele La Ragione – II. Larghetto Grazioso (06:46)
09. Raffaele La Ragione – III. Allegretto (04:51)
10. Il Pomo D’oro – La serva padrona, R.1.63: Sinfonia in B-Flat Major (Allegro Presto) (03:23)
11. Raffaele La Ragione – I. Allegro (03:47)
12. Raffaele La Ragione – II. Largo (04:14)
13. Raffaele La Ragione – III. Allegro balletto (04:47)
14. Il Pomo D’oro – Sinfonia in D Major Hob.I:106: Allegro (03:02)
15. Raffaele La Ragione – I. Allegro moderato e grazioso (07:52)
16. Raffaele La Ragione – II. Andante con variazioni (04:25)
17. Raffaele La Ragione – III. Rondo (05:16)

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Two years after the great acclaim aroused by “Beethoven and his Contemporaries”, his first recording for Arcana, Raffaele La Ragione returns with an album containing the four best-known mandolin concertos, which appear in a new light here thanks to the use of three different period mandolins. For this ambitious project he is joined by the brilliant orchestra Il pomo d’oro, universally renowned for its lively, dynamic interpretations of instrumental and vocal music from the Baroque and Classical periods (with Joyce DiDonato, Franco Fagioli, Jakub Józef Orliński) and directed here by its principal guest conductor Francesco Corti, a harpsichordist of international repute.From Vivaldi’s famous mandolin concertos, by way of the typically Neapolitan examples by Paisiello and Lecce, to the two more Classical concertos of Hummel (these last in their world premiere recording on historical instruments), four concertos and three precious instruments restore this repertory to its rightful place and relate almost a century of mandolin history.

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