Artist: Orchestre National de France, Daniele Gatti
Album: Debussy: La Mer, Prélude à l’après-midi d’un faune, Images pour orchestre
Genre: Classical
Release Date: 2012
Audio Format:: FLAC (tracks) 24 bit, 48 kHz
Duration: 01:08:42
Total Tracks: 9
Total Size: 654 MB

Tracklist:

01. Orchestre National de France, Daniele Gatti – La Mer: De l’aube à midi sur la mer (09:36)
02. Orchestre National de France, Daniele Gatti – La Mer: Jeux de vagues (06:40)
03. Orchestre National de France, Daniele Gatti – La Mer: Dialogue du vent et de la mer (08:22)
04. Orchestre National de France, Daniele Gatti – Prélude à l’après-midi d’un faune (09:20)
05. Orchestre National de France, Daniele Gatti – Images: Modéré (Gigue) (07:57)
06. Orchestre National de France, Daniele Gatti – Images: Par les rues et par les chemins (Ibéria I) (06:51)
07. Orchestre National de France, Daniele Gatti – Images: Les parfums de la nuit (Ibéria II) (07:24)
08. Orchestre National de France, Daniele Gatti – Images: Le matin d’un jour de fête (Ibéria III) (04:36)
09. Orchestre National de France, Daniele Gatti – Images: Rondes de printemps: Modérément animé (07:53)

Download:

In 2012 the music world celebrates the 150th anniversary of Debussy’s birth. To mark the occasion, Sony Classical is releasing a new recording of some of the composer’s best-known orchestral masterpieces with the Orchestre National de France under the baton of its director of music, Daniele Gatti.

The Orchestre National de France is regarded as one of France’s greatest orchestras, and is predestined to perform the works of the country’s great impressionist composers, having focused on this repertoire for many years.Daniele Gatti was appointed the Orchestra’s director of music in 2008, following in the footsteps of such illustrious conductors as Charles Münch, Lorin Maazel, Charles Dutoit and Kurt Masur. Parallel to his position in Paris, the 51-year-old Italian is also principal conductor of the Zurich Opera.
‘Daniele Gatti doesn’t just keep the beat. He provides new impetus, he traces the melodies, he brings the different timbres to life and reveals the meaning hidden within the notes. His hand movements are quite unique – elliptical, with gestures hinted at that he later seems to resume.’ –Le Monde

“Daniele Gatti enters wholeheartedly into the enchantments of Debussy here, with striking results: rarely can a faun have been so breathtakingly glimpsed through sun-dappled foliage, or a dialogue between wind and sea been quite this animé et tumultueux, to use the composer’s own direction.” –The Independent

“Gatti’s performance never sacrifices the sense of forward movement. You get the wood and the trees. And the results are wonderfully exciting – the brashness, the aggression of the noisier climaxes comes as a welcome shock. This is Debussy painted in bold acrylics rather than insipid watercolours.” –The Arts Desk