Artist: Orchester Wiener Akademie, Martin Haselbock
Album: Beethoven: Symphonies 1 & 2 (Resound Collection)
Genre: Classical
Release Date: 2015
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 56:44
Total Tracks: 8
Total Size: 1009 MB

Tracklist:

1-1. Wiener Akademie, Performer – Martin Haselböck, Performer – Ludwig van Beethoven, Composer – Symphony No. 1 in C Major, Op. 21:Symphony No. 1 in C Major, Op. 21: I. Adagio molto – Allegro con brio (08:29)
1-2. Wiener Akademie, Performer – Martin Haselböck, Performer – Ludwig van Beethoven, Composer – Symphony No. 1 in C Major, Op. 21:Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto (06:56)
1-3. Wiener Akademie, Performer – Martin Haselböck, Performer – Ludwig van Beethoven, Composer – Symphony No. 1 in C Major, Op. 21:Symphony No. 1 in C Major, Op. 21: III. Menuetto (Allegro molto e vivace) (04:20)
1-4. Wiener Akademie, Performer – Martin Haselböck, Performer – Ludwig van Beethoven, Composer – Symphony No. 1 in C Major, Op. 21:Symphony No. 1 in C Major, Op. 21: IV. Finale (Adagio – Allegro molto e vivace) (05:43)
1-5. Wiener Akademie, Performer – Martin Haselböck, Performer – Ludwig van Beethoven, Composer – Symphony No. 2 in D Major, Op. 36:Symphony No. 2 in D Major, Op. 36: I. Adagio molto – Allegro con brio (11:21)
1-6. Wiener Akademie, Performer – Martin Haselböck, Performer – Ludwig van Beethoven, Composer – Symphony No. 2 in D Major, Op. 36:Symphony No. 2 in D Major, Op. 36: II. Larghetto (In A Major) (09:32)
1-7. Wiener Akademie, Performer – Martin Haselböck, Performer – Ludwig van Beethoven, Composer – Symphony No. 2 in D Major, Op. 36:Symphony No. 2 in D Major, Op. 36: III. Scherzo (Allegro – Trio) (03:44)
1-8. Wiener Akademie, Performer – Martin Haselböck, Performer – Ludwig van Beethoven, Composer – Symphony No. 2 in D Major, Op. 36:Symphony No. 2 in D Major, Op. 36: IV. Allegro molto (06:38)

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The Re-Sound Beethoven collection brings the symphonies of Beethoven back to the locations of their Viennese premieres. Four of the six venues where first performances of one or more of the nine symphonies were held still exist today, as do the eight Viennese halls and theaters where the composer’s orchestral works were performed in his lifetime. The orchestral forces of the Wiener Akademie corresponds in size and instrumentarium to those used by the composer. The producer Stephan Reh strives to reproduce the specific acoustical qualities of each room.„With our interpretations we wish to offer you music in the sound of its own time: we want to add to the possibilities of historical instruments the sound and the aura of the concert halls in which the composer himself conducted and experienced his works.“ (Martin Haselböck)