![Oliver Schnyder, Academy of St. Martin in the Fields, Andrew Watkinson - Haydn: Three Piano Concertos (2012) [FLAC, 24bit, 44,1 kHz] Download](https://i0.wp.com/imghd.xyz/images/2022/07/25/0886443449206_600.jpg?ssl=1)
Artist: Oliver Schnyder, Academy of St. Martin in the Fields, Andrew Watkinson
Album: Haydn: Three Piano Concertos
Genre: Classical
Release Date: 2012
Audio Format: FLAC (tracks) 24bit, 44,1 kHz
Duration: 59:33
Total Tracks: 9
Total Size: 503 MB
Tracklist:
1-01. Oliver Schnyder – Piano Concerto in F major, H. 18-3: I. Allegro (08:53)
1-02. Oliver Schnyder – Piano Concerto in F major, H. 18-3: II. Largo cantabile (09:16)
1-03. Oliver Schnyder – Piano Concerto in F major, H. 18-3: III. Finale-Presto (03:53)
1-04. Oliver Schnyder – Piano Concerto in G major, H. 18-4: I. Allegro moderato (08:40)
1-05. Oliver Schnyder – Piano Concerto in G major, H. 18-4: II. Adagio cantabile (06:50)
1-06. Oliver Schnyder – Piano Concerto in G major, H. 18-4: III. Finale-Rondo (Presto) (03:51)
1-07. Oliver Schnyder – Piano Concerto in D major, H. 18-11: I. Vivace (07:26)
1-08. Oliver Schnyder – Piano Concerto in D major, H. 18-11: II. Un poco adagio (06:33)
1-09. Oliver Schnyder – Piano Concerto in D major, H. 18-11: III. Rondo all’Ungherese-Allegro assai (04:07)
1-02. Oliver Schnyder – Piano Concerto in F major, H. 18-3: II. Largo cantabile (09:16)
1-03. Oliver Schnyder – Piano Concerto in F major, H. 18-3: III. Finale-Presto (03:53)
1-04. Oliver Schnyder – Piano Concerto in G major, H. 18-4: I. Allegro moderato (08:40)
1-05. Oliver Schnyder – Piano Concerto in G major, H. 18-4: II. Adagio cantabile (06:50)
1-06. Oliver Schnyder – Piano Concerto in G major, H. 18-4: III. Finale-Rondo (Presto) (03:51)
1-07. Oliver Schnyder – Piano Concerto in D major, H. 18-11: I. Vivace (07:26)
1-08. Oliver Schnyder – Piano Concerto in D major, H. 18-11: II. Un poco adagio (06:33)
1-09. Oliver Schnyder – Piano Concerto in D major, H. 18-11: III. Rondo all’Ungherese-Allegro assai (04:07)
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“The Schynders evidently have fun refracting Haydn’s motifs through the prism of contemporary styles, but what is remarkable is that these modern additions never outstay their welcome while making gentle fun of their surroundings.” (Gramophone)
“Crisp accounts with touching nuances in the nocturnal slow movements” (BBC Music Magazine)