Artist: Nathaniel Rateliff, The Night Sweats
Album: Tearing at the Seams (Deluxe Edition)
Genre: Rock, Soul
Release Date: 2018
Audio Format:: FLAC (tracks) 24 bit, 88,2 kHz
Duration: 52:12
Total Tracks: 14
Total Size: 1,07 GB
Tracklist:
01. Nathaniel Rateliff, The Night Sweats – Shoe Boot (04:43)
02. Nathaniel Rateliff, The Night Sweats – Be There (03:39)
03. Nathaniel Rateliff, The Night Sweats – A Little Honey (03:10)
04. Nathaniel Rateliff, The Night Sweats – Say It Louder (03:23)
05. Nathaniel Rateliff, The Night Sweats – Hey Mama (04:00)
06. Nathaniel Rateliff, The Night Sweats – Babe I Know (03:04)
07. Nathaniel Rateliff, The Night Sweats – Intro (04:19)
08. Nathaniel Rateliff, The Night Sweats – Coolin’ Out (04:01)
09. Nathaniel Rateliff, The Night Sweats – Baby I Lost My Way, (But I’m Going Home) (02:55)
10. Nathaniel Rateliff, The Night Sweats – You Worry Me (03:34)
11. Nathaniel Rateliff, The Night Sweats – Still Out There Running (04:53)
12. Nathaniel Rateliff, The Night Sweats – Tearing at the Seams (05:13)
13. Nathaniel Rateliff, The Night Sweats – I’ll Be Damned (02:41)
14. Nathaniel Rateliff, The Night Sweats – Boiled Over (02:30)
Download:
https://xubster.com/9rbrdawscbnv/NathanielRateliffTheNightSweatsTearingattheSeamsDeluxeEditi0n20182488.2.part2.rar.html
It’s hardly a coincidence that Nathaniel Rateliff is at Stax. With his band The Night Sweats, the native of Denver has become a true ambassador of this muggy southern soul as it was practised on the infamous Memphis label at the end of the sixties. With his instrumental virtuosity, the soul of his songs, the ardour of their interpretation and the preaching of his organ, Tearing at the Seams glorifies the spirit of a vast heritage ranging from Otis Redding to Van Morrison, through Booker T. and the MG’s, Ray Charles and Creedence Clearwater Revival. As can be expected, the rhythmic turbine goes at a million miles an hour, the brass are as incandescent as possible and the voice of Reteliff is a furious rattle that is completely his own. This gang does not care to look in the rearview mirror despite assuming a rather nostalgic sound.