Artist: Max Andrzejewski’s HÜTTE
Album: Hütte & Guests Play the Music of Robert Wyatt
Genre: Jazz
Release Date: 2019
Audio Format:: FLAC (tracks) 24 bit, 44,1 kHz
Duration: 47:51
Total Tracks: 9
Total Size: 528 MB

Tracklist:

1. Max Andrzejewski’s HÜTTE – The Duchess (04:30)
2. Max Andrzejewski’s HÜTTE – Little Red Riding Hood Hits the Road (03:24)
3. Max Andrzejewski’s HÜTTE – You You (06:13)
4. Max Andrzejewski’s HÜTTE – Little Red Robin Hood Hits the Road (06:19)
5. Max Andrzejewski’s HÜTTE – Cuckoo Madam (07:51)
6. Max Andrzejewski’s HÜTTE – Grass (05:25)
7. Max Andrzejewski’s HÜTTE – N.I.O (05:09)
8. Max Andrzejewski’s HÜTTE – Instant Kitten (03:09)
9. Max Andrzejewski’s HÜTTE – Starting in the Middle of the Day We Can Drink Our Politics Away (05:48)

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With his clear, emotionally charged voice and personal soundscapes, Robert Wyatt is one of the leading figures in alternative music. He rejoiced at Hütte’s confrontation with his work: „This project is great for my sense of still being alive, knowing that these brilliant young musicians looked my way for a moment … They have my profound gratitude.” A remarkable, accordant approach to the music of an original iconoclast.Now, for the first time, Max Andrzejewski devotes himself to another artist: the iconoclastic Robert Wyatt, drummer and founding member of the legendary groups Soft Machine and Matching Mole. A leading exponent of the so-called Canterbury scene in the 60s and 70s, this drummer, singer/songwriter moved on to a solo career after his accidental fall out of a window in 1973 left him paraplegic. There now was an added poignancy in his voice and a desire to test musical boundaries as his music became more collaborative, politicized and unconventional. Yet, despite a music that contains brittle vocals, quirky arrangements, and a mix of instruments that projected a bit of bewilderment, along with a merciless analysis of society, Wyatt has never left humor and irony out of the mix. “When I heard it for the first time,” remembers Max Andrzejewski “that touched me a lot.” Then came the invitation to the 42nd Leipzig Jazztage; a British tribute program just at the right moment. Andrzejewski opted for Robert Wyatt, probably because he heard parallels to his own Hütte albums and saw Wyatt as a true spiritual brother. Andrzejewski translated Wyatt’s quick breaks and severe style changes into his own musical language. The sextet that Andrzejewski organized for the occasion remained together beyond their festival appearance. The nine songs on this album span a wide breadth of ideas, creating a sound that has parallels with such works as Miles Davis’ Bitches Brew and Carla Bley’s Escalator Over the Hill, yet stands fully on its own ground. Andrzejewski’s renditions are full of color and rich in detail; you recognize Wyatt’s originals, yet hear them from a completely new perspective.