Mauro Squillante – Gervasio, Barbella, Cocchi: The manuscripts for mandolin of Gimo collection (2023) [FLAC 24 bit, 96 kHz]

Mauro Squillante - Gervasio, Barbella, Cocchi: The manuscripts for mandolin of Gimo collection (2023) [FLAC 24 bit, 96 kHz] Download

Artist: Mauro Squillante
Album: Gervasio, Barbella, Cocchi: The manuscripts for mandolin of Gimo collection
Genre: Classical
Release Date: 2023
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:44:28
Total Tracks: 14
Total Size: 1,95 GB

Tracklist:

1-1. Mauro Squillante – Sonata a mandolino e basso (ms. Gimo 141) (07:53)
1-2. Mauro Squillante – Sonata per Camera di Mandolino e Basso (mss. Gimo 142-143) (09:14)
1-3. Mauro Squillante – Sonata per Camera di mandolino è Basso (ms. Gimo 144) (10:23)
1-4. Mauro Squillante – Sonata Per Camera di mandolino, e Basso. (mss. Gimo 145-146) (07:45)
1-5. Mauro Squillante – Duetto a due mandolini (mss. Gimo 147-148) (02:54)
1-6. Mauro Squillante – Sinfonia a due mandolini, è Basso (ms. Gimo 149) (06:04)
1-7. Mauro Squillante – Trio a due mandolini e Basso (ms. Gimo 150) (07:23)
2-8. Mauro Squillante – Sonata a due mandolini (ms. Gimo 12) (04:56)
2-9. Mauro Squillante – Duetto a due mandolini (ms. Gimo 13) (16:20)
2-10. Mauro Squillante – Sonata a due mandolini (ms. Gimo 14) (12:15)
2-11. Mauro Squillante – Sonata à Due mandolini (mss. Gimo 15-16-17) (04:22)
2-12. Mauro Squillante – Sonata a due mandolini e basso (mss. Gimo 18-19) (05:45)
2-13. Mauro Squillante – Sinfonia a due mandolini, e Basso (ms. Gimo 76) (05:14)
2-14. Mauro Squillante – Trio. A due mandolini e Basso (ms. Gimo 359) (03:53)

Download:

The album contained in this box set were conceived and produced as part of the project “Il mandolino a Napoli nel Settecento”, coordinated by the University of Bologna in collaboration with the University of Uppsala and the Neapolitan Mandolin Academy.
The objective of the project was the recording on period instruments of the 19 compositions for mandolin by Neapolitan composers of the eighteenth century, whose manuscripts are collected in the Gimo collection and preserved in the “Carolina Rediviva” Library of the University of Uppsala.
The two volumes include the works by Giovanni Battista Gervasio (Volume I), and Emanuele Barbella, Gioacchino Còcchi and an anonymous (Volume II).
The production aims to offer the listener a new interpretation of this repertoire based on an interpretative concept sensitive to the quality of sound, phrasing and aesthetic and compositional concepts of the time, contributing to a more extensive rediscovery of the Neapolitan and southern Italian instrumental repertoire of the eighteenth century.

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