Artist: Matthew White, Tempo Rubato Ensemble, Alexander Weimann
Album: Meine Seele: German Sacred Music
Genre: Classical
Release Date: 2014
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:09:50
Total Tracks: 17
Total Size: 1,22 GB

Tracklist:

Johann Sebastian Bach (1685-1750): Cantata – Widerstehe doch der…
1. Aria – Wiederstehe doch der Sünde 05:57
2. Recitative – Die Art verruchter Sünden 01:03
3. Aria – Wer Sünde tut, der ist vom Teufel 02:58

Franz Tunder (1614-1667): Sinfonia
4. Sinfonia a 7 viole, 7 Sinfonia ist gesetz fur ein Muttedt… 01:52
5. Motet Salve, mi Jesu 05:41

Philipp Heinrich Erlebach (1657-1714): Overture and Suite
6. I. Overture and Suite 01:56
7. II. Menuet 01:43
8. III. La Plainte 02:19
9. IV. Le Sommeil 03:32
10. V. La Rejouissance 01:11

Johann Rosenmüller (1619–1684): Motet Ascendit Christus
11. Motet Ascendit Christus 06:56

Johann Michael Bach (1648–1694): Aria Auf, laßt uns den Herren loben
12. Aria Auf, laßt uns den Herren loben 05:49

Christoph Bernhard (1628–1692): Concerto, Was betrübst du dich,…
13. Concerto, Op. 1, No. 8, Was betrubst du dich, meine Seele 04:34

Georg Muffat (1653–1704): Passacaglia for organ in G minor
14. Passacaglia for organ in G minor 07:13

Heinrich Schütz (1585-1672): Concerto, Erbarm dich mein, o Herre Gott
15. Erbarm dich mein, O Herre Gott, SWV 447 04:34

Johann Rosenmüller (1619–1684): Dances
16. Studenten-Music – Paduan – Ballo 05:02

Philipp Heinrich Erlebach (1657-1714): Cantata, Trocknet euch, ihr…
17. Harmonische Freude musicalischer Freunde, Vol. 1 -… 07:29

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On Meine Seele (My soul), Canadian countertenor Matthew White breathes new life into sacred cantatas by German composers who preceded Bach. Listeners are invited to rediscover forgotten works by such 17th-century German masters as Franz Tunder, Christoph Bernhard, and Philipp Heinrich Erlebach. Alexander Weimann is one of the most sought after harpsichordists, ensemble directors, soloists and chamber music partners of his generation.

The ensembleTempo Rubato owes its name to the musical practice of diverging from the unrelenting and gradual rhythm for a short period of time in a piece, allowing for solo freedom. Its historical origins go back to baroque sources, where it was first detected.

This recording features the compositions of JS Bach, Franz Tunder, Erlebach, Rosenmuller, JM Bach, Bernhard, Muffat, and Schutz.