Artist: Matilda Lloyd, Britten Sinfonia, Rumon Gamba
Album: Casta Diva – Operatic arias transcribed for trumpet
Genre: Classical
Release Date: 2023
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:03:42
Total Tracks: 14
Total Size: 1018 MB

Tracklist:

1. Matilda Lloyd, Britten Sinfonia & Rumon Gamba – Mercadante: Zaira (Arr. for Solo Trumpet and Reduced Orchestra by William Foster), Act 1 Scene 2: Liete voci! (04:08)
2. Matilda Lloyd, Britten Sinfonia & Rumon Gamba – Mercadante: Zaira (Arr. for Solo Trumpet and Reduced Orchestra by William Foster), Act 1 Scene 2: Ah sì, questo di mia vita (03:02)
3. Matilda Lloyd, Britten Sinfonia & Rumon Gamba – Bellini: Beatrice di Tenda, Act 1 Scene 3: Oh! mie fedeli… Ma la sola, ohimè! son io (Arr. for Solo Trumpet and Reduced Orchestra by William Foster) (05:18)
4. Matilda Lloyd, Britten Sinfonia & Rumon Gamba – Arban: Variations on a Cavatina from Bellini’s Beatrice di Tenda: Variations on a Cavatina from Bellini’s Beatrice di Tenda (Arr. for Solo Trumpet and Small Orchestra by William Foster) (04:17)
5. Matilda Lloyd, Britten Sinfonia & Rumon Gamba – Bellini: I Capuleti e i Montecchi, Act 1 Scene 4: Oh! quante volte (Arr. for Solo Trumpet by William Foster) (03:32)
6. Matilda Lloyd, Britten Sinfonia & Rumon Gamba – Arban: Variations on Bellini’s Norma (Casta Diva) [Arr. for Trumpet and String Orchestra by Mikhail Nakariakov] (06:11)
7. Matilda Lloyd, Britten Sinfonia & Rumon Gamba – Ricci: La festa di Piedigrotta, Act 3: Tarantella Napoletana (Arr. for Solo Trumpet and Small Orchestra by William Foster) (02:32)
8. Matilda Lloyd, Britten Sinfonia & Rumon Gamba – Rossini: Semiramide, Act 1, Scene 1: Ah! quel giorno ognor rammento from (Arr. for Solo Trumpet and Small Orchestra by William Foster) (05:27)
9. Matilda Lloyd, Britten Sinfonia & Rumon Gamba – Viardot: Havanaise, VWV 1019 (Arr. for Solo Trumpet and String Orchestra by William Foster) (04:15)
10. Matilda Lloyd, Britten Sinfonia & Rumon Gamba – Viardot: Le Dernier Sorcier, Act 1 Scene 3: Chanson de la pluie (Arr. for Solo Trumpet and Small Orchestra by William Foster) (02:46)
11. Matilda Lloyd, Britten Sinfonia & Rumon Gamba – Rossini: Prélude, thème et variations (Arr. for Flugelhorn and String Orchestra by William Foster) (10:39)
12. Matilda Lloyd, Britten Sinfonia & Rumon Gamba – Donizetti: L’elisir d’amore, Act 2 Scene 8: Una furtiva lagrima (Arr. for Solo Trumpet by William Foster) (03:45)
13. Matilda Lloyd, Britten Sinfonia & Rumon Gamba – Donizetti: Don Pasquale, Act 2: Prelude to Act II (Arr. for Solo Trumpet and Reduced Orchestra by William Foster) (02:23)
14. Matilda Lloyd, Britten Sinfonia & Rumon Gamba – Donizetti: Don Pasquale, Act 1 Scene 4: Quel guardo il cavaliere (Arr. for Solo Trumpet and Reduced Orchestra by William Foster) (05:22)

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Hailed as ‘remarkable’ by The Daily Telegraph, Matilda Lloyd is a young instrumentalist with exceptional poise and musicality. She studied music at the University of Cambridge, Royal Academy of Music, and with HAkan Hardenberger at Musikhogskolan i Malmo. She has since captivated audiences and critics alike with her artistry, communication, and, in the words of Saarbrucker Zeitung (March 2020), ‘flawless sound and virtuosic technique’, with which she brings a unique flair to every performance. She won the BBC Young Musician of the Year Brass Final in 2014, and in 2016 made her debut at the BBC Proms. Casta Diva is Matilda’s debut album on Chandos, about which she writes: ‘Every trumpet player has studied the ultimate technique book, by Jean-Baptiste Arban – a monumental tome affectionately known as ‘The Trumpet Bible’. At the end of the book are sets of theme and variations – my favourite, the Variations on Bellini’s Norma, became the point of departure for this album inspired by nineteenth-century Italian opera, as it uses the aria ‘Casta Diva’, from Bellini’s 1831 opera, as its theme. The album explores the voice of the trumpet in that golden age of opera, highlighting works by Rossini, Bellini, and Donizetti. I hope that the album showcases the beauty, musicality, and technical brilliance of the instrument, and that you find as much enjoyment in listening to, as we did in arranging and recording, these fantastic pieces of music!’