Kirill Karabits, Bournemouth Symphony Orchestra – Prokofiev: Symphonies Nos. 4 & 5 (2015) [FLAC 24 bit, 96 kHz]

Kirill Karabits, Bournemouth Symphony Orchestra - Prokofiev: Symphonies Nos. 4 & 5 (2015) [FLAC 24 bit, 96 kHz] Download

Artist: Kirill Karabits, Bournemouth Symphony Orchestra
Album: Prokofiev: Symphonies Nos. 4 & 5
Genre: Classical
Release Date: 2015
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:17:28
Total Tracks: 9
Total Size: 1,33 GB

Tracklist:

01. Kirill Karabits, Bournemouth Symphony Orchestra – Symphony No. 5 in B-Flat Major, Op. 100: I. Andante (13:32)
02. Kirill Karabits, Bournemouth Symphony Orchestra – Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato (08:50)
03. Kirill Karabits, Bournemouth Symphony Orchestra – Symphony No.5 in B-Flat Major, Op. 100: III. Adagio (11:31)
04. Kirill Karabits, Bournemouth Symphony Orchestra – Symphony No.5 in B-Flat Major, Op. 100: IV. Allegro giocoso (10:13)
05. Kirill Karabits, Bournemouth Symphony Orchestra – Symphony No. 4, Op. 47: I. Andante – Allegro eroico (06:15)
06. Kirill Karabits, Bournemouth Symphony Orchestra – Symphony No. 4, Op. 47: II. Andante tranquillo (05:58)
07. Kirill Karabits, Bournemouth Symphony Orchestra – Symphony No. 4, Op. 47: III. Moderato, quasi allegretto (04:04)
08. Kirill Karabits, Bournemouth Symphony Orchestra – Symphony No. 4, Op. 47: IV. Allegro risoluto (07:10)
09. Kirill Karabits, Bournemouth Symphony Orchestra – Dreams, Op. 6 (09:49)

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The eagerly awaited 3rd volume in the critically acclaimed Prokofiev Symphony cycle from Kirill Karabits and the Bournemouth Symphony Orchestra. The original version of the 4th, probably the least performed of the seven is coupled with the 5th, arguably the most performed. The 4th is based on material from the ballet ‘The Prodigal Son’. The symphony was commissioned by Serge Koussevitzky to mark the 50th anniversary of the Boston Symphony Orchestra. The 5th dates from 1944 at the height of the Russian struggle against the Nazi invasion. Although considered a wartime work, the overall mood is one of optimism. Yet again music from another project was used to good effect in a Prokofiev symphony. The powerful slow movement draws on music composed in 1936 and intended for an abortive film of Pushkin’s ‘Queen of Spades’.

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