![Katherine Hunka, Irish Chamber Orchestra - Piazzolla, Schubert & Schnittke: Works for Violin & Chamber Orchestra (2020) [FLAC 24 bit, 96 kHz] Download](https://i0.wp.com/imghd.xyz/images/2023/04/26/zkgwdra6e7yya_600.jpg?ssl=1)
Artist: Katherine Hunka, Irish Chamber Orchestra
Album: Piazzolla, Schubert & Schnittke: Works for Violin & Chamber Orchestra
Genre: Classical
Release Date: 2020
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 58:00
Total Tracks: 7
Total Size: 1,01 GB
Tracklist:
1. Katherine Hunka & Irish Chamber Orchestra – The 4 Seasons of Buenos Aires (Arr. L. Desyatnikov for Violin & Strings): No. 4, Buenos Aires Autumn (06:56)
2. Katherine Hunka & Irish Chamber Orchestra – The 4 Seasons of Buenos Aires (Arr. L. Desyatnikov for Violin & Strings): No. 2, Buenos Aires Winter (07:08)
3. Katherine Hunka & Irish Chamber Orchestra – The 4 Seasons of Buenos Aires (Arr. L. Desyatnikov for Violin & Strings): No. 3, Buenos Aires Spring (05:59)
4. Katherine Hunka & Irish Chamber Orchestra – The 4 Seasons of Buenos Aires (Arr. L. Desyatnikov for Violin & Strings): No. 1, Buenos Aires Summer (06:12)
5. Katherine Hunka & Irish Chamber Orchestra – Rondo in A Major, D. 438 (14:48)
6. Katherine Hunka & Irish Chamber Orchestra – Moz-Art à la Haydn (12:12)
7. Katherine Hunka & Irish Chamber Orchestra – Oblivion (Arr. for Violin & Strings) (04:42)
Download:
https://xubster.com/qbowaqchnkzm/KatherineHunkaIrishChamber0rchestraPiazz0llaSchubertSchnittkeW0rksf0rVi0linChamber0rchestra20202496.part2.rar.html
“A dazzling programme of music for violin and orchestra performed by The Irish Chamber Orchestra, featuring Katherine Hunka (violin/director) and Nicola Sweeney (violin – Schnittke).Piazzolla’s La Cuarto Estaciones Porteñas (‘The Four Seasons of Buenos Aires’) takes us through the seasons: Verano Porteño (‘Summer’), alert and enigmatic, blustery Otoño (‘Autumn’), the jittery liveliness of Primavera (‘Spring’) and a gently melancholic Invierno (‘Winter’). We hear the pieces arranged for violin and strings by Leonid Desyatnikov, playfully incorporating elements from Vivaldi’s Four Seasons.
Schubert composed his Rondo in A, D.438, in 1816, when he was still in his late teens. He never wrote a full-scale violin concerto, so this Mozartian Rondo is one of the closest things we have. Schnittke’s Moz-Art à la Haydn combines an unfinished fragment by Mozart with the theatricality of Haydn’s ‘Farewell’ Symphony, uniquely conveyed by the Irish Chamber Orchestra using audible movement and effects.”