Artist: Kammerakademie Potsdam, Antonello Manacorda
Album: Mozart Symphonies Nos. 39, 40, 41
Genre: Classical
Release Date: 2021
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:33:09
Total Tracks: 12
Total Size: 1,66 GB

Tracklist:

01. Kammerakademie Potsdam & Antonello Manacorda – Mozart: Symphony No. 39 in E-Flat Major, K. 543: I. Adagio – Allegro (10:11)
02. Kammerakademie Potsdam & Antonello Manacorda – Mozart: Symphony No. 39 in E-Flat Major, K. 543: II. Andante con moto (07:23)
03. Kammerakademie Potsdam & Antonello Manacorda – Mozart: Symphony No. 39 in E-Flat Major, K. 543: III. Menuetto. Allegretto – Trio (03:40)
04. Kammerakademie Potsdam & Antonello Manacorda – Mozart: Symphony No. 39 in E-Flat Major, K. 543: IV. Finale. Allegro (07:57)
05. Kammerakademie Potsdam & Antonello Manacorda – Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro (07:20)
06. Kammerakademie Potsdam & Antonello Manacorda – Mozart: Symphony No. 40 in G Minor, K. 550: II. Andante (09:15)
07. Kammerakademie Potsdam & Antonello Manacorda – Mozart: Symphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto – Trio (03:27)
08. Kammerakademie Potsdam & Antonello Manacorda – Mozart: Symphony No. 40 in G Minor, K. 550: IV. Allegro assai (06:41)
09. Kammerakademie Potsdam & Antonello Manacorda – Mozart: Symphony No. 41 in C Major, K. 551, “Jupiter”: I. Allegro vivace (11:28)
10. Kammerakademie Potsdam & Antonello Manacorda – Mozart: Symphony No. 41 in C Major, K. 551, “Jupiter”: II. Andante cantabile (09:57)
11. Kammerakademie Potsdam & Antonello Manacorda – Mozart: Symphony No. 41 in C Major, K. 551, “Jupiter”: III. Menuetto. Allegretto – Trio (04:24)
12. Kammerakademie Potsdam & Antonello Manacorda – Mozart: Symphony No. 41 in C Major, K. 551, “Jupiter”: IV. Molto allegro (11:19)

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In the summer of 1788 Wolfgang Amad’e Mozart (1756-91) wrote what from any standpoint is an extraordinary set of three symphonies – as Jarno says in Goethe’s Wilhelm Meister’s Apprenticeship, people “do extraordinary things without respecting orderliness”. It was presumably not Mozart’s intention that this group of symphonies should remain his final word on the subject, and a weighty one at that. Despite every setback, it tells of a time of new departures, not of valediction. Only three years later, during which time he had written many other masterpieces, death snatched the pen from his hand. He was only thirty-five…