Jonathan Biss – Beethoven: Piano Sonatas, Vol. 7 (2020) [FLAC 24 bit, 96 kHz]

Jonathan Biss - Beethoven: Piano Sonatas, Vol. 7 (2020) [FLAC 24 bit, 96 kHz] Download

Artist: Jonathan Biss
Album: Beethoven: Piano Sonatas, Vol. 7
Genre: Classical
Release Date: 2020
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:08:43
Total Tracks: 12
Total Size: 1,02 GB

Tracklist:

01. Jonathan Biss – Piano Sonata No. 2 in A Major, Op. 2 No. 2: I. Allegro vivace (06:48)
02. Jonathan Biss – Piano Sonata No. 2 in A Major, Op. 2 No. 2: II. Largo appassionato (05:41)
03. Jonathan Biss – Piano Sonata No. 2 in A Major, Op. 2 No. 2: III. Scherzo. Allegretto (03:16)
04. Jonathan Biss – Piano Sonata No. 2 in A Major, Op. 2 No. 2: IV. Rondo. Grazioso (06:23)
05. Jonathan Biss – Piano Sonata No. 20 in G Major, Op. 49 No. 2: I. Allegro ma non troppo (04:00)
06. Jonathan Biss – Piano Sonata No. 20 in G Major, Op. 49 No. 2: II. Tempo di menuetto (03:00)
07. Jonathan Biss – Piano Sonata No. 17 in D Minor, Op. 31 No. 2 “The Tempest”: I. Largo – Allegro (07:44)
08. Jonathan Biss – Piano Sonata No. 17 in D Minor, Op. 31 No. 2 “The Tempest”: II. Adagio (06:39)
09. Jonathan Biss – Piano Sonata No. 17 in D Minor, Op. 31 No. 2 “The Tempest”: III. Allegretto (06:08)
10. Jonathan Biss – Piano Sonata No. 30 in E Major, Op. 109: I. Vivace ma non troppo – Adagio espressivo (03:53)
11. Jonathan Biss – Piano Sonata No. 30 in E Major, Op. 109: II. Prestissimo (02:20)
12. Jonathan Biss – Piano Sonata No. 30 in E Major, Op. 109: III. Gesangvoll, mit innigster Empfindung (12:44)

Download:

Jonathan Biss concludes his nine-year, nine-volume exploration of Beethoven’s piano sonatas with a recording for our times, one that asks profound questions about mankind’s fragile existence. Considered the cornerstone of the pianist’s repertoire, the cycle comprises thirty-two sonatas in a range of emotional expressions.Jonathan says: “Beethoven’s sonatas have been a constant presence in my life for nearly as long as I have been playing the piano. ‘Presence’ is too mild a word, though: ‘force’ comes a bit closer to conveying the space he occupies in my heart and head. For playing Beethoven does not feel like a matter of choice: his concerns are so all-encompassing, his mastery so astonishing, his personality so combative (yet, somehow, also so sympathetic), one cannot look (listen?) away.

“In 2011, I began recording the sonatas; my plan is to record all 32 by 2020. I hope and expect that my relationship with Beethoven will continue for many years beyond then, but the intensity of my current immersion with his music has become one of the most profound experiences of my life.”

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