Joanne Shaw Taylor – Reckless Heart (2019) [FLAC 24 bit, 88,2 kHz]

Joanne Shaw Taylor - Reckless Heart (2019) [FLAC 24 bit, 88,2 kHz] Download

Artist: Joanne Shaw Taylor
Album: Reckless Heart
Genre: Blues
Release Date: 2019
Audio Format:: FLAC (tracks) 24 bit, 88,2 kHz
Duration: 46:51
Total Tracks: 11
Total Size: 940 MB

Tracklist:

1-1. Joanne Shaw Taylor – In the Mood (03:45)
1-2. Joanne Shaw Taylor – All My Love (03:38)
1-3. Joanne Shaw Taylor – The Best Thing (04:52)
1-4. Joanne Shaw Taylor – Bad Love (04:07)
1-5. Joanne Shaw Taylor – Creepin’ (03:41)
1-6. Joanne Shaw Taylor – I’ve Been Loving You Too Long (06:37)
1-7. Joanne Shaw Taylor – Reckless Heart (04:28)
1-8. Joanne Shaw Taylor – Break My Heart Anyway (03:22)
1-9. Joanne Shaw Taylor – New 89 (03:47)
1-10. Joanne Shaw Taylor – Jake’s Boogie (03:02)
1-11. Joanne Shaw Taylor – I’m Only Lonely (05:28)

Download:

Reckless Heart is the sixth studio album from British blues-rock guitarist and vocalist Joanne Shaw Taylor and follows 2016’s Wild. Recorded in 2018 at Michigan’s Rust Belt Studio with producer Al Sutton, the album sees Taylor returning to her roots and delivering 11 original tracks of soul- and R&B-infused blues-rock. ~ Rich WilsonHaving famous fans such as Joe Bonnamassaand Glen Hughes and being described by Jools Holland as a dazzling talent, it’s hard to deny that Joanne Shaw Taylor has certainly mastered her craft and become one of the worlds most formidable guitar players. Having signed to Sony/Silvertoneat the beginning of 2018, Joanne is back for her 6thalbum, ‘Reckless Heart’ which was recorded during the summer of 2018 at Rust Belt Studios in Michigan.

Joanne is thrilled to be releasing her new album: “I decided for this album I wanted to go further back to my roots. A large part of that was my decision to work with Al Sutton. Al’s been a good friend of mine since I moved to Detroit in 2008 and I’ve always been a big fan of his work with the Detroit Cobras, ThornettaDavis and most recently Greta Van Fleet. Working together was something we’d always discussed and in particular that he’d like to hear me do something more raw and live. The other main reason for recording in Detroit was the calibre of musicians in that town, and we were lucky enough to score some of the best in Ron Otis, James Simonson, Phil Hale and Chris Codish. I couldn’t be happier with it; we managed to incorporate my love of soul, blues and rock into the album and I think it’s probably my most honest work to date.

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