Javier Perianes – Ravel: Concerto en sol, Le Tombeau de Couperin & Alborada del gracioso (2019) [FLAC 24 bit, 48 kHz]

Javier Perianes - Ravel: Concerto en sol, Le Tombeau de Couperin & Alborada del gracioso (2019) [FLAC 24 bit, 48 kHz] Download

Artist: Javier Perianes
Album: Ravel: Concerto en sol, Le Tombeau de Couperin & Alborada del gracioso
Genre: Classical
Release Date: 2019
Audio Format:: FLAC (tracks) 24 bit, 48 kHz
Duration: 01:21:03
Total Tracks: 15
Total Size: 689 MB

Tracklist:

01. Orchestre de Paris – Miroirs, M. 43: IV. Alborada del gracioso (orchestra version) (07:51)
02. Javier Perianes – Le Tombeau de Couperin, M. 68: I. Prélude. Vif (Piano version) (03:20)
03. Javier Perianes – Le Tombeau de Couperin, M. 68: II. Fugue. Allegro moderato (Piano version) (03:35)
04. Javier Perianes – Le Tombeau de Couperin, M. 68: III. Forlane. Allegretto (Piano version) (06:06)
05. Javier Perianes – Le Tombeau de Couperin, M. 68: IV. Rigaudon. Assez vif (Piano version) (03:13)
06. Javier Perianes – Le Tombeau de Couperin, M. 68: V. Menuet. Allegro moderato (Piano version) (05:11)
07. Javier Perianes – Le Tombeau de Couperin, M. 68: VI. Toccata. Vif (Piano version) (04:27)
08. Javier Perianes – Piano Concerto in G Major, M. 83: I. Allegramente (09:05)
09. Javier Perianes – Piano Concerto in G Major, M. 83: II. Adagio assai (09:01)
10. Javier Perianes – Piano Concerto in G Major, M. 83: III. Presto (04:14)
11. Orchestre de Paris – Le Tombeau de Couperin, M. 68a: I. Prélude. Vif (Orchestral Suite) (03:21)
12. Orchestre de Paris – Le Tombeau de Couperin, M. 68a: II. Forlane. Allegretto (Orchestral Suite) (06:23)
13. Orchestre de Paris – Le Tombeau de Couperin, M. 68a: III. Menuet. Allegro moderato (Orchestral Suite) (04:43)
14. Orchestre de Paris – Le Tombeau de Couperin, M. 68a: VI. Rigaudon. Assez vif (Orchestral Suite) (03:17)
15. Javier Perianes – Miroirs, M. 43: IV. Alborada del gracioso (Piano version) (07:09)

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As if in a mirror, this recording juxtaposes the original piano versions of two of Ravel’s masterpieces (Le Tombeau de Couperin and Alborada del gracioso) with their respective orchestrations. The Piano Concerto in G major combines the two facets, both when the piano is integrated into the overall sound and when it plays its role as a soloist. The subtle playing of Javier Perianes and the refined sonorities of the Orchestre de Paris, conducted by Josep Pons, also remind us that Spain was the most significant source of inspiration in Ravel’s output.

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