Gewandhausorchester Leipzig, Riccardo Chailly – Brahms: Serenades (2015) [FLAC 24 bit, 96 kHz]

Gewandhausorchester Leipzig, Riccardo Chailly - Brahms: Serenades (2015) [FLAC 24 bit, 96 kHz] Download

Artist: Gewandhausorchester Leipzig, Riccardo Chailly
Album: Brahms: Serenades
Genre: Classical
Release Date: 2015
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:05:17
Total Tracks: 11
Total Size: 1,11 GB

Tracklist:

01. Gewandhausorchester Leipzig – Serenade No.1 in D Major, Op.11: 1. Allegro molto (11:30)
02. Gewandhausorchester Leipzig – Serenade No.1 in D Major, Op.11: 2. Scherzo (Allegro non troppo) – Trio (Poco più moto) (06:29)
03. Gewandhausorchester Leipzig – Serenade No.1 in D Major, Op.11: 3. Adagio non troppo (09:57)
04. Gewandhausorchester Leipzig – Serenade No.1 in D Major, Op.11: 4. Menuetto I-II (03:42)
05. Gewandhausorchester Leipzig – Serenade No.1 in D Major, Op.11: 5. Scherzo (Allegro) (02:19)
06. Gewandhausorchester Leipzig – Serenade No.1 in D Major, Op.11: 6. Rondo (Allegro) (05:09)
07. Gewandhausorchester Leipzig – Serenade No.2 in A Major, Op.16: 1. Allegro moderato (07:03)
08. Gewandhausorchester Leipzig – Serenade No.2 in A Major, Op.16: 2. Scherzo (Vivace) (02:32)
09. Gewandhausorchester Leipzig – Serenade No.2 in A Major, Op.16: 3. Adagio non troppo (06:27)
10. Gewandhausorchester Leipzig – Serenade No.2 in A Major, Op.16: 4. Quasi menuetto – Trio (04:37)
11. Gewandhausorchester Leipzig – Serenade No.2 in A Major, Op.16: 5. Rondo (Allegro) (05:28)

Download:

Following the ‘Gramophone Record of the Year’ award-winning set of the Brahms Symphonies, Riccardo Chailly turns his “rare talent for transforming music ripe for rediscovery” to Brahms’s Serenades. This exquisite recording renews these unjustly neglected and rarely performed works in performances of “trademark clarity” (Gramophone Record of the Year 2014) and marks the first Decca recording of these works since Kertesz in 1968.
Forming part of the wider Brahms project undertaken by Chailly and his Leipzig orchestra, this release restores an importance to these works which they rarely receive. In Chailly’s hands they emerge not just as precursors of the symphonies but powerful and individual works in their own right.

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