Gayle Blankenburg – Cameron-Wolfe: An Inventory of Damaged Goods (2018) [FLAC 24 bit, 88,2 kHz]

Gayle Blankenburg - Cameron-Wolfe: An Inventory of Damaged Goods (2018) [FLAC 24 bit, 88,2 kHz] Download

Artist: Gayle Blankenburg
Album: Cameron-Wolfe: An Inventory of Damaged Goods
Genre: Classical
Release Date: 2018
Audio Format:: FLAC (tracks) 24 bit, 88,2 kHz
Duration: 01:18:58
Total Tracks: 11
Total Size: 1,19 GB

Tracklist:

1-1. Gayle Blankenburg – An Inventory of Damaged Goods: I. Tortuous Path – II. Le roi subaquatique – III. Anomaly I “As Above” (07:20)
1-2. Gayle Blankenburg – An Inventory of Damaged Goods: IV. Anomaly II – V. Vertigo – VI. Anomaly III “So Below” (08:28)
1-3. Gayle Blankenburg – An Inventory of Damaged Goods: VII. Autopoiesis (07:38)
1-4. Gayle Blankenburg – MeMarie (05:06)
1-5. Gayle Blankenburg – Invocations of the Aetherwind (06:49)
1-6. Gayle Blankenburg – Mute Hand Muse “For a Waking Dreamer” (08:45)
1-7. Gayle Blankenburg – Prima Materia (03:41)
1-8. Gayle Blankenburg – Kyrie II (10:22)
1-9. Gayle Blankenburg – Lilith (11:42)
1-10. Gayle Blankenburg – A Sound-Shroud for Bill Knott (02:20)
1-11. Gayle Blankenburg – A Song Built from Fire (06:41)

Download:

The music of Richard Cameron-Wolfe is not intrinsically abstract, instead residing in various realms of non-abstraction – each composition’s seed-ideas emanating from an extra-musical impulse. Here we find, for example, psychodrama (three micro-operas), sound-portraits (Inventory, Lilith), esoteric symbolism, and ritual processes – all articulated in macro- and micro-structures based on the irrational elasticity of the prime-number series. The repertoire of this release brings together musicians from New York City and Los Angeles – eight outstanding performing artists with a deep understanding of contemporary music styles, vocabularies, and rhetoric. In addition, Cameron-Wolfe’s long-time friend, the distinguished actor Kevin Kline, makes a special “under the radar” guest appearance as poet-narrator in the micro-opera Sound-Shroud.

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