Artist: Federica Artuso
Album: Giuliani-Guglielmi: Complete Guitar Works
Genre: Classical
Release Date: 2021
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 02:16:44
Total Tracks: 16
Total Size: 2,50 GB

Tracklist:

01. Federica Artuso – Giuliani-Guglielmi: 6 Preludi, Op. 46: No. 1, Moderato (02:19)
02. Federica Artuso – Giuliani-Guglielmi: Belliniana No. 1, Op. 2 (13:52)
03. Federica Artuso – Giuliani-Guglielmi: Variazioni su un tema di Mercadante, Op. 9 (06:17)
04. Federica Artuso – Giuliani-Guglielmi: Variazioni su “Ah! Perché non posso odiarti!”, Op. 3 (After Bellini) (11:48)
05. Federica Artuso – Giuliani-Guglielmi: 6 Preludi, Op. 46: No. 2, Mosso (01:30)
06. Federica Artuso – Giuliani-Guglielmi: Variazioni su “L’amo, ah! L’amo”, Op. 1 (After Bellini) (13:32)
07. Federica Artuso – Giuliani-Guglielmi: Belliniana No. 2, Op. 4 (15:43)
08. Federica Artuso – Giuliani-Guglielmi: 6 Preludi, Op. 46: No. 3, Presto (01:58)
09. Federica Artuso – Giuliani-Guglielmi: Variazioni su “Non più mesta accanto al foco”, Op. 5 (After Rossini) (09:25)
10. Federica Artuso – Giuliani-Guglielmi: 6 Preludi, Op. 46: No. 4, Moderato (03:17)
11. Federica Artuso – Giuliani-Guglielmi: Belliniana No. 3, Op. 6 (13:33)
12. Federica Artuso – Giuliani-Guglielmi: Belliniana No. 4, Op. 7 (13:20)
13. Federica Artuso – Giuliani-Guglielmi: 6 Preludi, Op. 46: No. 5, Moderato (03:30)
14. Federica Artuso – Giuliani-Guglielmi: Belliniana No. 5, Op. 8 (12:59)
15. Federica Artuso – Giuliani-Guglielmi: 6 Preludi, Op. 46: No. 6, Allegro (02:24)
16. Federica Artuso – Giuliani-Guglielmi: Belliniana No. 6, Op. 11 (11:11)

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The project of the musicologist Nicoletta Confalone and of the guitarist Federica Artuso is aimed at the discovery of Emilia Giuliani, illegitimate daughter of the famous Mauro Giuliani that, with his guitar and his compositions, conquered Vienna, the capital of 19th century music. Emilia lived her entire life in a continuous state of difficulty and discomfort, dying of typhus at the age of only thirty- seven. The adverse events of her life and her condition as a woman (considering that in her days it was almost impossible to express her talent as an artist) did not prevent her from reaping flattering successes from audiences and critics in the many European stages of her unfortunately short life: suffice for all the quotation of some Viennese critics who, after a concert she shared with Franz Liszt, exclaimed with admiration: “Every finger, one Liszt!”. In addition to her amazing skills as an instrumentalist, she was also appreciated for her music that she managed to publish with the major publishers of the time: Giovanni Ricordi in Milan and Artaria in Vienna. This double album includes her complete work for guitar, for the first time on an historic instrument, a 1830 René Lacote.