Artist: Ensemble Aedes, Les Siècles, Mathieu Romano
Album: Poulenc: Stabat Mater, Litanies à la Vierge noire
Genre: Classical
Release Date: 2023
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 41:23
Total Tracks: 14
Total Size: 676 MB

Tracklist:

01. Ensemble Aedes, Les Siècles & Mathieu Romano – Poulenc: Litanies à la Vierge noire, FP 82 (08:30)
02. Ensemble Aedes, Les Siècles & Mathieu Romano – Janequin: O doulx regard, o parler gratieux (03:02)
03. Ensemble Aedes, Les Siècles & Mathieu Romano – Poulenc: Stabat Mater, FP 148: I. Stabat Mater dolorosa (03:40)
04. Ensemble Aedes, Les Siècles & Mathieu Romano – Poulenc: Stabat Mater, FP 148: II. Cujus animam gementem (01:05)
05. Ensemble Aedes, Les Siècles & Mathieu Romano – Poulenc: Stabat Mater, FP 148: III. O quam tristis (02:49)
06. Ensemble Aedes, Les Siècles & Mathieu Romano – Poulenc: Stabat Mater, FP 148: IV. Quae moerebat (01:31)
07. Ensemble Aedes, Les Siècles & Mathieu Romano – Poulenc: Stabat Mater, FP 148: V. Quis est homo (01:26)
08. Ensemble Aedes, Les Siècles & Mathieu Romano – Poulenc: Stabat Mater, FP 148: VI. Vidit suum (03:13)
09. Ensemble Aedes, Les Siècles & Mathieu Romano – Poulenc: Stabat Mater, FP 148: VII. Eja mater (01:07)
10. Ensemble Aedes, Les Siècles & Mathieu Romano – Poulenc: Stabat Mater, FP 148: VIII. Fac ut ardeat (02:22)
11. Ensemble Aedes, Les Siècles & Mathieu Romano – Poulenc: Stabat Mater, FP 148: IX. Sancta mater (02:55)
12. Ensemble Aedes, Les Siècles & Mathieu Romano – Poulenc: Stabat Mater, FP 148: X. Fac ut portem (03:29)
13. Ensemble Aedes, Les Siècles & Mathieu Romano – Poulenc: Stabat Mater, FP 148: XI. Inflammatus et accensus (02:03)
14. Ensemble Aedes, Les Siècles & Mathieu Romano – Poulenc: Stabat Mater, FP 148: XII. Quando corpus (04:05)

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The ensemble Aedes began it’s musical journey with Poulenc, under the impetus of conductor Mathieu Romano. Here, at the head of Les Siècles, Romano returns to the unclassifiable composer to record two of his major works. In the pious contemplation of the Litanies, here performed in the manuscript version, and the orchestral luxuriance of the Stabat Mater, spirituality is expressed through music that is lively, sensitive and even, at times, sensuous. Sculpting out every phrase and note, always at the service of the text, the ensemble and Mathieu Romano confirm their affinity with the composer’s language. As an interlude Mathieu Romano has included a secular piece, O doulx regard, o parler gratieux, by the Renaissance composer Clément Janequin. The boundaries between earthly love and mystical love are thus abolished in favor of pure emotion.