Elizaveta Pakhomova, Tatiana Barsukova, Marina Dichenko, Olga Solovieva – Myaskovsky: Vocal Works, Vol. 1 (2021) [FLAC 24 bit, 44,1 kHz]

Elizaveta Pakhomova, Tatiana Barsukova, Marina Dichenko, Olga Solovieva - Myaskovsky: Vocal Works, Vol. 1 (2021) [FLAC 24 bit, 44,1 kHz] Download

Artist: Elizaveta Pakhomova, Tatiana Barsukova, Marina Dichenko, Olga Solovieva
Album: Myaskovsky: Vocal Works, Vol. 1
Genre: Classical
Release Date: 2021
Audio Format:: FLAC (tracks) 24 bit, 44,1 kHz
Duration: 01:08:24
Total Tracks: 20
Total Size: 581 MB

Tracklist:

01. Tatiana Barsukova – No. 1, Will I Forget You? (01:52)
02. Tatiana Barsukova – No. 2, Like a Sail That Flashes at Times (01:28)
03. Tatiana Barsukova – No. 3, Cloudless April Day (02:21)
04. Tatiana Barsukova – No. 4, How Often at Night (04:46)
05. Tatiana Barsukova – No. 5, My Heart’s in the Highlands (03:04)
06. Tatiana Barsukova – No. 6, My Bonnie Mary (03:10)
07. Elizaveta Pakhomova – No. 1, A Cossack Lullaby (05:23)
08. Elizaveta Pakhomova – No. 2, I Go Out Alone on the Road (03:20)
09. Elizaveta Pakhomova – No. 3, No, It Is Not You Whom I Love so Ardently (02:05)
10. Elizaveta Pakhomova – No. 4, To the Portrait (01:43)
11. Elizaveta Pakhomova – No. 5, The Sun (01:37)
12. Elizaveta Pakhomova – No. 6, They Loved Each Other (02:10)
13. Elizaveta Pakhomova – No. 7, In an Album (01:28)
14. Elizaveta Pakhomova – No. 8, Romance (02:40)
15. Elizaveta Pakhomova – No. 9, She Sings (01:07)
16. Elizaveta Pakhomova – No. 10, Don’t Cry, Don’t Cry, My Child (02:57)
17. Elizaveta Pakhomova – No. 11, From an Album (01:54)
18. Elizaveta Pakhomova – No. 12, Forgive Me! We Will Not Meet Again (04:41)
19. Marina Dichenko – I. Allegro amabile (08:40)
20. Marina Dichenko – II. Theme, 12 Variations & Coda (11:50)

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The dignified bearing and quiet wisdom of Nikolai Myaskovsky (1881–1950) gained him the sobriquet of ‘the conscience of Russian music’ – and those qualities are reflected in the unemphatic strength of his music. His orchestral, chamber and instrumental works are regaining the currency they once enjoyed, but his large corpus of songs, many of them understated masterpieces, has yet to attract systematic attention – a situation this series hopes to remedy. The pairing here of his late Violin Sonata with his last two song-cycles for soprano and piano mirrors the Moscow concert in 1947 when all three were given their first performances.

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