Artist: Doulce Mémoire, Denis Raisin-Dadre
Album: Madrigali diminuiti (Diminutions inspirees de Sylvestro Ganassi)
Genre: Classical
Release Date: 2016
Audio Format:: FLAC (tracks) 24 bit, 88,2 kHz
Duration: 01:07:23
Total Tracks: 20
Total Size: 1,06 GB

Tracklist:

1-01. Clara Coutouly, Doulce Mémoire, Denis Raisin Dadre – Tutto il di piango (03:49)
1-02. Doulce Mémoire, Denis Raisin Dadre – Tutto il di piango (Instrumental) (04:04)
1-03. Doulce Mémoire, Denis Raisin Dadre, Clara Coutouly – Nunqua fu pena magiore (07:43)
1-04. Doulce Mémoire, Denis Raisin Dadre, Clara Coutouly – Padouana della Ragione (02:54)
1-05. Doulce Mémoire, Denis Raisin Dadre, Clara Coutouly – Igno soave (02:09)
1-06. Doulce Mémoire, Denis Raisin Dadre – Igno soave (Instrumental) (02:19)
1-07. Doulce Mémoire, Denis Raisin Dadre, Clara Coutouly – Ardenti miei sospiri (03:26)
1-08. Doulce Mémoire, Denis Raisin Dadre, Clara Coutouly – Padouana “La Ternarina” (01:39)
1-09. Doulce Mémoire, Denis Raisin Dadre, Clara Coutouly – Donna che sete tra le belle bella (02:42)
1-10. Doulce Mémoire, Denis Raisin Dadre – Donna che sete (Instrumental) (02:48)
1-11. Doulce Mémoire, Denis Raisin Dadre, Clara Coutouly – Dormendo un giorno (02:36)
1-12. Doulce Mémoire, Denis Raisin Dadre, Clara Coutouly – Aldi donna non dormire (03:22)
1-13. Doulce Mémoire, Denis Raisin Dadre, Clara Coutouly – Fantasia sopra se mai provasti (02:32)
1-14. Doulce Mémoire, Denis Raisin Dadre, Clara Coutouly – Se a vostra voglia (04:43)
1-15. Doulce Mémoire, Denis Raisin Dadre – In me cresce l’ardore (Instrumental) (03:20)
1-16. Doulce Mémoire, Denis Raisin Dadre, Clara Coutouly – In me cresce l’ardore (03:12)
1-17. Doulce Mémoire, Denis Raisin Dadre, Clara Coutouly – Madonna qual certezza (02:55)
1-18. Doulce Mémoire, Denis Raisin Dadre, Clara Coutouly – Madonna qual certezza (02:32)
1-19. Doulce Mémoire, Denis Raisin Dadre – Madonna qual certezza (Instrumental) (02:47)
1-20. Doulce Mémoire, Denis Raisin Dadre, Clara Coutouly – Pacientia ognom mi dice (05:42)

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In 1535 Sylvestro Ganassi published in Venice the first treatise developing the technique of the art of ornamentation at an unprecedented level of rhythmic complexity and virtuosity. Playing the recorder, the instrument to which Ganassi devoted his work, Denis Raisin Dadre applies the rules of the treatise to the repertoire that Ganassi practiced, frottole and, above all, the madrigals of Philippe Verdelot. With the ornaments, the music proves to be a living art that practices a constant rhythmic shift, the exuberant virtuosity of improvisations and a ‘swing’ that would be typical of jazz in the 20th century.