Davide Alogna – Margola: Music for Violin, Piano & Orchestra (2022) [FLAC 24 bit, 96 kHz]

Davide Alogna - Margola: Music for Violin, Piano & Orchestra (2022) [FLAC 24 bit, 96 kHz] Download

Artist: Davide Alogna
Album: Margola: Music for Violin, Piano & Orchestra
Genre: Classical
Release Date: 2022
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:21:37
Total Tracks: 13
Total Size: 1,38 GB

Tracklist:

1-1. Orchestra Sinfonica Di Milano – Concerto dell’alba, dC292: I. Cantabile (05:18)
1-2. Orchestra Sinfonica Di Milano – Concerto dell’alba, dC292: II. Lento (02:38)
1-3. Orchestra Sinfonica Di Milano – Concerto dell’alba, dC292: III. Rondo (03:15)
1-4. Orchestra Sinfonica Di Milano – Kinderkonzert No. 2, dC109: I. Allegro (05:51)
1-5. Orchestra Sinfonica Di Milano – Kinderkonzert No. 2, dC109: II. Sostenuto (04:27)
1-6. Orchestra Sinfonica Di Milano – Kinderkonzert No. 2, dC109: III. Allegro finale (04:55)
1-7. Davide Alogna – Sonata in D Major, dC12: I. Sostenuto, andante, poco sostenuto (09:23)
1-8. Davide Alogna – Sonata in D Major, dC12: II. Lento (05:27)
1-9. Davide Alogna – Sonata in D Major, dC12: III. Vivace (03:40)
1-10. Orchestra Sinfonica Di Milano – Doppio concerto, dC132: I. Allegro imperioso (07:56)
1-11. Orchestra Sinfonica Di Milano – Doppio concerto, dC132: II. Adagio (03:18)
1-12. Orchestra Sinfonica Di Milano – Doppio concerto, dC132: III. Allegro (09:16)
1-13. Orchestra Sinfonica Di Milano – Variazioni sopra un tema giocoso, dC143 (16:07)

Download:

Franco Margola (1908–1992) had an unwavering and authentic love for the violin, lasting throughout his career and artistic development. This recording showcases the versatility of the Brescian composer and the evolution of his musical thought over his lifetime. Often resisting the fashions of his time, the composer balanced tradition and modernism. In the aftermath of the Second World War, Margola became intolerant of harsh and violent sounds and so preferred writing more relaxing pieces.Kinderkonzert No. 2 is a work for violin and orchestra (1954). In the first movement, the writing is fluid and melodious. Only during the cadenza does the atmosphere become more serious, and the lightness that characterised the entire movement is only rediscovered with the return of the full orchestra. The next movement, Sostenuto, has a dreamlike character that comes to life in the central section with dance-style music. In the final Allegro, the soloist’s part is characterised by brilliant virtuosic writing which fits well into the articulated orchestral texture.

Almost thirty years later, Margola wrote Concerto dell’alba for violin and string orchestra (1982). Intended to be the third of the “Kinderkonzert”, Concerto dell’alba sounds free from any form of modernism and cerebralism. Nevertheless, the composer uses a modern idiom with wisdom and discretion which creates a spontaneous musical eloquence and cantabile sound. A vigorous Rondo with lively popular tunes concludes the Concerto.

The composer proposed a decidedly neoclassical writing style in Variazioni sopra un tema giocoso (1965), placing well calibrated sounds within a formal structure. Also neoclassical, Sonata in D (1931) is the first of a series of five violin sonatas and reveals the composer’s technical mastery. In the first movement, two themes are alternated: one serious, and the other dreamy, seemingly floating on the arpeggiated piano accompaniment.

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